April line-up for “Opera Grows in Brooklyn” announced

March 11, 2010

Opera Grows in BrooklynTom Cipullo, Nico Muhly, and a collection of Composers & the Voice alums will be the next to join the rosters of composers to participate in the Opera Grows in Brooklyn series.  The show will be held on Friday, April 16 at 8pm at Galapagos Art Space in Brooklyn’s DUMBO neighborhood. Tickets are $20 ($15 for students/seniors) at www.galapagosartspace.com and they tend to sell out, so buy early!

Opera Grows in Brooklyn is an ongoing collaboration between American Opera Projects and Opera on Tap that presents three 30-minute selections of songs and scenes from contemporary composers in a hip, cabaret-style atmosphere. Audiences have a chance to meet the artists and composers after the performance.

American Opera Projects begins the evening with Absynth, a futuristic monodrama made up of newly-commissioned electronic songs from composers Nico Muhly, Kevin McFarland, Florent Ghys, Caleb Burhans and C&V composers Andrew Staniland and Stephen Andrew Taylor. Conceived and performed by frequent AOP collaborator mezzo-soprano Abigail Fischer (Composers & the Voice, Semmelweis, Judgment of Midas), Absynth explores questions about the influence and relationship between (wo)Man and Machine.

Dreams of Pure Spirit:  Songs of Tom Cipullo will showcase some of Tom Cipullo’s more accessible and lyrical works.  The performers for the evening are three of the most exciting young singers in New York, soprano Tory Browers, mezzo Rebecca Jo Loeb, and baritone Michael Anthony McGee. Mr. McGee, the winner of numerous competitions, will be making his Kennedy Center debut on April 10 in Tom Cipullo’s mini-opera LUCY.  He is one of only forty young artists that have been recently selected to attend Operalia, Placido Domingo’s international opera competition in Milan.  Ms. Loeb has performed with the New York Festival of Song in their Rising Stars series.  Tory Browers has performed Mr. Cipullo’s music at Merkin Hall under the auspices of Joy in Singing, and at SongFest in Malibu.  As Anne Midgette noted in The New York Times, “Call it aria, call it Broadway, Mr. Cipullo’s strengths are in song.”

Finally, Opera on Tap will present the one-act opera Margot Alone in the Light, an adaptation of Ray Bradbury‘s short story All Summer in a Day by C&V composer Clint Borzoni and librettist Emily Conbere and produced by Jennifer Peterson‘s operamission. Ray Bradbury’s story is set in a classroom of schoolchildren on the planet Venus, where it rains constantly with the exception of one hour every seven years.  None of the schoolchildren remember the sun, except for ‘Margot,’ who moved to Venus four years ago from Ohio.  The role of ‘Margot’ will be portrayed by soprano Martha Guth and the role of ‘Mrs. Clott,’ the schoolteacher, will be sung by mezzo-soprano Alteouise de Vaughn.  It will be staged by Scott C. Embler (founding member and former producing director of Vital Theatre Company). Jennifer Peterson, founder and director of operamission, will conduct the opera.

The inaugural performance of Opera Grows in Brooklyn at Galapagos in April 2009 was called “an exciting new level of work for these young companies. Brooklyn and the rest of the city will benefit from future collaborations like these.” (The Curator). Past Opera Grows in Brooklyn performances have featured music by David T. Little, Stefan Weisman, Christopher Berg, Gilda Lyons, Matthew Schickele and Jack Perla and performances by David Adam Moore, Lauren Worsham, Jonathan Hays, and Daisy Press.

“Director Robert Elmes is adding opera to a space known best for its Obie Award winning, progressive programming,” says AOP General Director Charles Jarden. “We think it’s not just cool for opera to be in a spectacular space like Galapagos, it’s essential for creating new music that connects to audiences. Opera away from opera houses is the best way for the genre to thrive and grow. It is economically smart and creatively daring and the voices sound great to both new listeners and fans. If one audience member walks out with an interest in discovering music by living composers, we’ll know we are on the right track.”


NYCO holds a Séance in 2011

March 11, 2010
Seance at Orensanz 2008

AOP's Seance workshop, Nov 2008. (l to r: Michael Zegarski, Matthew Curran, Lauren Flanigan, John Kimberling, Hila Plitmann. Photo by Michael Chadwick (c)2008)

It was just announced this week that New York City Opera will close their 2010-11 season with the AOP-developed Stephen Schwartz opera Séance on a Wet Afternoon.  Our audiences got a chance to see several workshops of Séance in 2008, and now they’ll have a chance to see how it all finally came together when it has its fully staged NYC premiere on April 19, 2011.  NYCO star Lauren Flanigan, who appeared in each of the AOP workshops, will return to the role of Myra, the psychic medium who hatches a nefarious kidnapping plot in order to boost her reputation.

NYCO will also produce Strauss’ Intermezzo, Bernstein’s A Quiet Place, and will bring back Jonathan Miller‘s production of Donizetti’s Elixer of Love. (A bit of trivia: Jonathan Miller hosted an AOP libretto workshop of Heart of Darkness and Semmelweis in November 2008 just before AOP’s workshop of Séance in the Lower East Side’s Orensanz Theater.)

From NYCO’s press release:

“With this season, we take another step forward on an exciting journey for New York City Opera,” stated George Steel. “I’m thrilled that we have three new productions, that we’re presenting four premieres of works by American composers—all of them New Yorkers—and that we’re exploring new programming possibilities, both with our triple bill of mini-operas and with the new concert series. Most of all, I love the incredible range of compositional styles this season: from the transparent simplicity of Donizetti to the opulent middle-period Richard Strauss to the blend of the popular and classical worlds in Bernstein and Stephen Schwartz—all this topped off by the delicious trio of Schoenberg, Feldman and Zorn. This is what City Opera was made to do, and what makes City Opera unique.”

See more about NYCO’s premiere of Séance on a Wet Afternoon and the rest of the 2010-11 season here.

Other upcoming premieres of AOP-developed projects include Before Night Falls at Fort Worth Opera this May and Heart of Darkness at the Royal Opera House in 2011.


Before Night Falls is a “must-see” event of 2010

March 9, 2010

Travel & LeisureDo you enjoy travel? How about leisure? Then why not hop on a plane for Fort Worth in May and kick back to a world premiere of the AOP-developed opera Before Night Falls which was just chosen by Travel and Leisure magazine as a “must-see” event in 2010? (yeesh, that was corny. sorry.)

The Fort Worth Opera (fwopera.org) presents Cuban American composer Jorge Martín’s Before Night Falls (May 29–June 6), which features young baritone Wes Mason as the gay dissident and poet Reinaldo Arenas in Fidel Castro’s Cuba.

Check out the rest of Travel and Leisure‘s list of 2010 events not to be missed events…


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