We spent the first two hours with Terry. He had all of us play games that encouraged us to open up and explore the space around us. I find the improv exercises very interesting and a lot of fun, but as Mikah mentioned in an earlier class, what I am most fascinated with is how this applies (or will eventually apply) to our craft as composers and librettists. Sometimes the benefits of these exercises are not explicit, but the more we explore, the more I understand how everything is somehow related. As a composer, I am used to being both a nerd and living a somewhat cloistered life, so these evenings can be a little scary for me, even though I am a pretty experienced performing musician. Acting and performing music are quite different from performing music on stage. However, I am gradually becoming more comfortable, and now looking forward to these workshops every few weeks.
Many of Terry’s exercises explore quick interaction and reflexes. One particular exercise he had us do involved standing in a circle and quickly passing around words. There might be one word that you say to the person next to you, and another word that causes you to change direction. A third word might be reserved for saying to the person directly across from you in the circle. Each word triggers a different response. As a composer, what I find interesting is how this particular technique could be used for dramatic effect in a scene, and this whole experience demonstrated how quickly dialogue can move from one person to the next. This will be very useful to know when working with librettists.