Selections from an eerie, hallucinatory new opera Decoration by Composers & the Voice fellow Mikael Karlsson will be presented by the Manhattan School of Music’s opera department in a program of new operas in March 2013. One of the “Six Scenes” performed this past weekend at an AOP showcase of various operas in development, Decoration follows the pre-apocalyptic journey of two sisters – one pregnant, one dying – and their extremely different outlooks on the future.
Decoration scenes, libretto by the composer and David Flodén, will be performed in a staged reading by MSM voice students at Greenfield Hall as part of the annual New American Opera Previews, from Page to Stage series, hosted by WQXR’s Midge Woolsey, produced by Opera Index. The selection was made by a panel of judges including Assistant Dean of Opera Studies/Opera Production at MSM Gordon Ostrowski and Head Coach William Tracy.
The nationally recognized Composers & the Voice (C&V) is a fellowship for six composers or composer/librettist teams to work with an artistic team, headed by Steven Osgood, and AOP’s Resident Ensemble of Singers. The primary focus of C&V is to give composers extensive experience working collaboratively with singers on writing for the voice. With each new group of fellows, sponsorships are named in honor of mentors and their support of Composers & the Voice.
Composer Tobias Picker (American Tragedy) served as a Mikael Karlsson’s “Composer Chair,” providing a one-on-one mentorship throughout the year. Other Composer Chairs during the past C&V season included John Corigliano, Daron Hagen, John Musto, Kaija Saariaho, and Stephen Schwartz.
Decoration marks the ninth presentation by MSM of opera excerpts to come out of C&V. Previous C&V operas have included “The Summer King” by Daniel Sonenberg, “Exiles” by Renee Favand-See, “Dream President” by Jennifer Griffith, “The Golden Gate” by Conrad Cummings, “Death in Summer” by Gregg Wrammage, “Paul’s Case” by Gregory Spears, “Henry’s Wife” by Randall Eng, and “Love/Hate” by Jack Perla, which went on to a world premiere in April 2012 in partnership with The San Francisco Opera.
“For the composers selected the implications are many and very rewarding,” said C&V Artistic Director Steven Osgood. “Each of them will have their music brought to a wider and diverse audience [and] each of them will forge relationships with major artistic institutions, which is today an increasingly difficult hurdle for emerging artists.”
Composers & the Voice is made possible in part by a generous multi-year award from The Andrew W. Mellon Foundation. Fellows in the C&V program are supported by funding from The New York Community Trust Edward and Sally Van Lier Fund and Musical Arts Fund.