BROOKLYN’S AOP TO SELECT COMPOSERS, LIBRETTISTS FOR FREE TRAINING IN THE FUNDAMENTALS OF OPERA
APPLICATIONS NOW AVAILABLE FOR 7th SEASON OF
“COMPOSERS & THE VOICE” PROGRAM BEGINNING IN FALL 2013
BROOKLYN, NY – American Opera Projects (AOP) announces the return of its Composers & the Voice program for its 2013-14 season. Created and led by Composers & the Voice Artistic Director Steven Osgood, six composers or composer/librettist teams will be selected for a year-long fellowship, working with the company’s Resident Ensemble of Singers and Artistic Team. Applications and additional information can be found at AOP’s website www.operaprojects.org. The deadline for applications is May 17, 2013. All sessions will be at AOP’s home base in Fort Greene, Brooklyn.
The primary focus of Composers & the Voice is to give composers and librettists experience working collaboratively with singers on writing for the voice and opera stage. The workshop sessions between September 2013 and April 2014, include composition of solo works for six voice types (coloratura soprano, lyric soprano, mezzo-soprano, tenor, baritone and bass) and “Skill-Building Sessions” for composers and librettists in acting, improv games, and libretto development, providing an in-depth and firsthand knowledge of how singers build characters, act in scenes and sing text.
“I can think of no better forum for a composer with a passion for learning the traditions of so-called progressive American opera theater than AOP’s program,” said opera composer and guest C&V instructor Daron Hagen.
Previous seasons of Composers & the Voice have featured guest lectures from notable artists such as composer Mark Adamo (Little Women, Lysistrata) and librettist Mark Campbell (Silent Night, Later The Same Evening). Past “Composer Chairs,” sponsorships named in honor of mentors and their support of Composers & the Voice, have included Mr. Adamo and composers John Corigliano, Tan Dun, Daron Hagen, John Musto, Richard Peaslee, Tobias Picker, Kaija Saariaho, Stephen Schwartz, and the late Lee Hoiby.
At the end of the program, AOP will present the results of the participants’ work in public performances – First Glimpse, a concert of songs in Spring 2014, and Six Scenes, an evening of short opera scenes in Fall 2014. One of these operas-in-progress will be selected to receive a staged reading at Manhattan School of Music in Spring 2015. AOP has an eight-year relationship with Manhattan School of Music Opera Studies Program, in which students work alongside the composer and librettist and other professionals provided by AOP.
Since launching in 2002, C&V has fostered the development of 37 composers & librettists. Alumni works that went through AOP’s opera development program and continued to a world premiere include Love/Hate (ODC/San Francisco Opera 2012, Jack Perla), Paul’s Case (UrbanArias 2013, Gregory Spears), and the Off-Broadway and European tour of Darkling (2006-07, Stefan Weisman). Additional AOP-developed works from C&V alumni include Decoration (Mikael Karlsson), The Summer King (Daniel Sonenberg), The Golden Gate (Conrad Cummings), Dream President (Jennifer Griffith), Henry’s Wife (Randall Eng), and Semmelweis (Raymond J. Lustig). Visit www.operaprojects.org/composers_voice
Past AOP Composers & the Voice fellows have received grants and honors from the following organizations: Aaron Copland Fund for Music, ASCAP, BMI, the American Academy of Arts and Letters, the American Music Center, the American Composers Forum, OPERA America, the National Endowment for the Arts, Meet the Composer, the Argosy Foundation Contemporary Music Fund, the Fulbright Foundation, the Atlantic Center for the Arts, the Douglas Moore Fellowship, Tapestry New Opera Works, the Frederick Loewe Foundation, New Dramatists, and the Martha Baird Rockefeller Foundation.
During his tenure as Artistic Director of American Opera Projects (2001 to 2008), Steven Osgood created Composers & the Voice, and conducted the world premieres of Paula Kimper and Wende Persons’ Patience & Sarah at the Lincoln Center Festival, and Janice Hamer and Mary Azrael’s Lost Childhood at the International Vocal Arts Institute (Tel Aviv). He has also conducted premieres by Jonathan Sheffer (Blood on the Dining Room Floor), Tan Dun (Peony Pavilion), Xenakis (Oresteia), Missy Mazzoli (Song from the Uproar), Mohammed Fairouz (Sumeida’s Song), and Daron Hagen (Little Nemo in Slumberland). He has served on the Music Staff of the Metropolitan Opera since 2006. Upcoming productions include Opera Memphis’ Midtown Opera Festival, Hawaii Opera Theater’s Tosca, and Chautauqua Opera’s Peter Grimes.
Composers & the Voice is made possible in part by a generous multi-year award from The Andrew W. Mellon Foundation.
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March 20, 2013