MUSIC OF OPERA COMPOSER CONRAD CUMMINGS PRESENTED IN ONE-NIGHT-ONLY CONCERT

August 15, 2014

EVENING TO FEATURE TWO PREMIERE WORKS

 

NEW YORK, NY — – American Opera Projects and LivelyWorks present Two Premieres and a Reunion, a special evening of music by composer Conrad Cummings Wednesday September 10th, 2014 at 7:30 p.m. at The National Opera Center, 330 Seventh Avenue, Manhattan. Tickets are $15 available online at https://twopremieres.eventbrite.com or $20 at the door. A reception with the artists will follow the concert.

The performance features premieres of two commissioned works: the theatrical song cycle Thoroughfare, written for Metropolitan Opera tenor Keith Jameson with lyrics by Mark Campbell; and the virtuoso concert piece Golden Gate Fantasy, written for award-winning violinist Gregory Fulkerson.

Also featured are two concert duets reuniting frequent Cummings collaborators Jesse Blumberg and Hai-Ting Chinn: Before The Golden Gate, with lyrics by Vikram Seth; and From Positions 1956, with lyrics by Michael Korie. Long-time Cummings collaborator, Charity Wicks, is the pianist for all four works.

Cummings composed Before The Golden Gate as a preparation – a “writing into” – the full-length opera based on Vikram Seth’s novel in verse. Hai-Ting Chinn and Jesse Blumberg have both been frequent collaborators of Cummings’s, and each has sung a role in The Golden Gate, but never at the same time. Here they interweave the voices of multiple characters in an abstract evocation of the novel’s dark lyricism. From Positions 1956 takes moments from Cummings’s and Michael Korie’s opera drawn from instructional manuals of the 1950’s, particularly marriage manuals, and casts them into a concert piece customized for these two interpreters.

Golden Gate Fantasy is a 21st century take on a 19th century form: the virtuoso concert piece drawn from themes of a popular opera, in this case Cummings’s. Gregory Fulkerson notes, “Like Sarasate’s fantasy to Carmen, I asked Cummings for dare-devil virtuosity, playfulness, and a distillation of the opera’s intense lyric spirit. He’s more than succeeded.”

Renowned tenor Keith Jameson, recently appearing in Falstaff at the Metropolitan Opera, will premiere the theatrical song cycle Thoroughfare, a work written expressly for him by Cummings and noted librettist Mark Campbell. Subtitled “A song cycle between places,” the five-part story follows the protagonist from Columbus Circle where his boyfriend has suddenly broken up with him, down Broadway, to Madison Square Park where his heart begins to mend. Jameson explains, “I wanted to be as vulnerable as the lover in Schubert’s Winterreise. But I wanted it to feel fresh, modern, and like it could be a chapter out of my own life.”

AOP General Director Charles Jarden writes, “Conrad has always had a special place at AOP.  One of his many talents as a composer is writing expressly for the singers involved, in this case Jesse, Hai-Ting and Keith. AOP has had the good fortune to work on some of this dramatic material previously, with these talents, including the pianist Charity Wicks. We are excited to connect with it again as it develops into concert form. We predict that Conrad’s newest work for Keith, working with librettist Mark Campbell, will resonate with the audience along with the artists.”

Cummings notes, “It’s rare that commissions, lyricists, and performers of this quality come together in one night. And it’s a wonderful reunion for artists who love each other’s work and have all excelled in my music on separate occasions. For one happy night we all get to work together. And the audience is invited to join us all for drinks and snacks after the concert. Life doesn’t get better.”

 

ABOUT THE CREATORS

Conrad CummingsA versatile composer on the faculty at The Juilliard School Evening Division, CONRAD CUMMINGS has received the following praise from the NYTimes: “Mr. Cummings is his own man, with an impressive ability to change styles while retaining a compositional image.” His works have been performed at Carnegie Hall, Brooklyn Academy of Music, Davies Symphony Hall in San Francisco, and by the New Jersey, Indianapolis, and Louisville Orchestras. Commissions include Canadian Brass, Opera Delaware, and San Francisco Opera Center. The Golden Gate (“Intensity more often encountered in Stephen Sondheim’s musicals than in the opera house.” – NYTimes) with libretto adapted from Vikram Seth’s novel in verse, received a staged workshop at Lincoln Center’s Rose Studio, co-produced by AOP and Livelyworks, and was named one of the best operas of the 21st century by Opera News. Positions 1956 (“an amusing piece given substance by some tender and some keen, rueful moments.” – The New Yorker), a self-help opera in three parts with libretto by Michael Korie, commissioned by Washington DC opera company UrbanArias, received its premiere production in April 2012, followed by a revival of the political campaign opera Photo-Op (“A must-see” – Washington Post) by the same company in September 2012. Earlier operas include Eros and Psyche, Oberlin Opera Theater (“I can’t think of anybody else who’s doing what he’s doing right now.” – The New Yorker), and Tonkin, Opera Delaware (“Mr. Cummings samples musical history for techniques and sonorities the way rappers sample pop rhythms.”  – NYTimes). Cummings trained at Yale, Stony Brook, and Columbia, did post-doc work at IRCAM in Paris, taught at Oberlin Conservatory for ten years where he directed the music and media program, moved to New York to run a kids’ interactive media company, and since 2003 teaches composition in the Evening Division at The Juilliard School. Recordings are available on CRI’s Emergency Music label; honors include MacDowell, Djerassi and Tanglewood fellowships and grants from the National Endowment for the Arts, Opera America, and The Rockefeller Foundation. www.conradcummings.com

MARK CAMPBELL is one of the most in-demand librettists in contemporary opera, profiled in Opera News as an artist “poised…to become a major force in opera in the coming decade.” Mark is most known for writing the libretto for Silent Night, which garnered a 2012 Pulitzer Prize in Music for composer Kevin Puts. The opera was produced by Minnesota Opera, aired on PBS’ Great Performances and will be seen in eight cities since its premiere. Other successful operas include Later the Same Evening, Volpone, Bastianello/Lucrezia, Rappahannock County and A Letter to East 11th Street. As a lyricist, Mark penned the lyrics for Songs from an Unmade Bed, which premiered at New York Theatre Workshop and has since been produced around the world. Other musicals: The Audience, Chang & Eng, and Splendora. Mark received may prestigious awards for his work, including: the first Kleban Foundation Award, two Richard Rodgers Awards, a NYFA Playwriting Fellowship, three Drama Desk Award nominations, a Rockefeller Foundation Award, and a Jonathan Larson Foundation Award. Upcoming projects include: The Manchurian Candidate (Kevin Puts, Minnesota Opera), As One (Laura Kaminsky, Kimberly Reed, co-librettist, AOP commissioned, BAM), Burke+Hare (Julian Grant, MTG), The Shining (Paul Moravec, Minnesota Opera), The Trial of Elizabeth Cree (Kevin Puts, Opera Philadelphia), Dinner at Eight (William Bolcom, Minnesota Opera). www.markcampbellwords.com

MICHAEL KORIE writes lyrics for musicals and librettos for operas.  Works include Grey Gardens (Playwrights Horizons, Broadway, Outer Critics Circle Award); Far From Heaven (Playwrights Horizons, Williamstown Festival); The Grapes of Wrath (Minnesota Opera, Carnegie Hall, Los Angeles Walt Disney Concert Hall); Harvey Milk (San Francisco Opera, Houston Grand Opera, New York City Opera); Doctor Zhivago (Lyric Theatre, Sydney, upcoming New York); Happiness (Lincoln Center Theater); Doll (Ravinia Festival, Chicago); Hoppers Wife (Long Beach California Opera); Kabbalah (Brooklyn Academy Next Wave Festival); Wheres Dick? (Houston Grand Opera); Positions 1956 (Knitting Factory, Urban Arias).  Korie serves on the council of The Dramatists Guild, mentors The Dramatist Guild Fellows Program, and teaches lyric writing at Yale.

Best-selling author VIKRAM SETH was born in 1952 in Calcutta, India, educated at Corpus Christi College, Oxford, Stanford University and Nanjing University, and has traveled widely and lived in Britain, California, India and China. His first novel, The Golden Gate: A Novel in Verse (1986), describing the experiences of a group of friends living in California, gained international attention and extraordinary sales. His acclaimed epic of Indian life, A Suitable Boy (1993), won the WH Smith Literary Award and the Commonwealth Writers Prize and sold over two million copies. An Equal Music (1999), the story of a violinist haunted by the memory of a former lover, has been translated and published in sixteen languages. His poetry includes Mappings (1980), The Humble Administrator’s Garden (1985), winner of the Commonwealth Poetry Prize (Asia), and All You Who Sleep Tonight: Poems (1990). His children’s book, Beastly Tales from Here and There (1992), consists of ten stories about animals told in verse. Vikram Seth’s Two Lives, a memoir of the marriage of his great uncle and aunt, appeared in 2005. A Suitable Girl is the much-awaited sequel to A Suitable Boy, scheduled for world-wide release in 2016.

 

ABOUT THE ARTISTS

Baritone JESSE BLUMBERG, equally at home on opera, concert, and recital stages, has performed roles at Minnesota Opera, Pittsburgh Opera, Boston Early Music Festival, Boston Lyric Opera, and at London’s Royal Festival Hall. He has made concert appearances with American Bach Soloists, Boston Baroque, Oratorio Society of New York, TENET/Green Mountain Project, Pacific MusicWorks, Apollo’s Fire, and on Lincoln Center’s American Songbook series.  Jesse has performed recitals with the New York Festival of Song, Marilyn Horne Foundation, and the Mirror Visions Ensemble.  His 2014-2015 season includes European tour with Boston Early Music Festival and debuts with Hawaii Opera Theatre and Atlanta Opera.  Jesse is also the founder and artistic director of Five Boroughs Music Festival, which brings chamber music of many genres to every corner of New York City. www.jesseblumberg.com

American Mezzo-soprano HAI-TING CHINN performs in a wide range of styles and venues, from Purcell to Pierrot Lunaire, Cherubino to The King & I, J.S. Bach to P.D.Q. Bach. She was featured in the revival and tour of Phillip Glass’s Einstein on the Beach, performed at venues around the world from 2011–2014, and she is currently singing the role of Belle in Glass’s La Belle et la Bête, also on tour. She has performed with New York City Opera, The Wooster Group, OperaOmnia, the Orpheus Chamber Orchestra, Israel Philharmonic, Orchestra of St. Luke’s, and the Waverly Consort; and on the stages of Carnegie Hall, the Mann Center in Philadelphia, the Edinburgh Festival, the Verbier Festival, and London’s West End. She has premiered new works by Du Yun, Conrad Cummings, Stefan Weisman, Yoav Gal, and Matt Schickele. Hai-Ting is also an Artist in Residence at HERE arts center, where she is developing Science Fair, a staged solo show of science set to music.

Violinist GREGORY FULKERSON enjoys an active performing career in both standard and contemporary repertoire. He won First Prize in the International American Music Competition sponsored by the Rockefeller Foundation and the Kennedy Center, and has performed the World Premieres of the John Becker Concerto with the Chattanooga Symphony, the Richard Wernick Concerto with the Philadelphia Orchestra, and the Roy Harris Concerto with the North Carolina Symphony (later performing and recording it with The Louisville Orchestra). He has performed the title role in the Philip Glass opera, EINSTEIN ON THE BEACH, for a total of 48 performances on four continents, and later recorded the work for Nonesuch. Fulkerson’s debut recording (on New World Records) was chosen one of the year’s best by The New York Times, and his complete Violin Sonatas of Charles Ives (Bridge Records) has become the standard for that repertoire. His complete Sonatas and Partitas for Solo Violin by J.S. Bach (Bridge) was chosen one of the Best CDs of 2000 by The New Yorker magazine.

KEITH JAMESON, tenor, has performed with the Metropolitan Opera in Falstaff (Live in HD) Carmen (Live in HD, released on DVD), Billy Budd, and War and Peace among others. He recently performed the title role of Candide with the Sao Paulo Symphony Orchestra, and Bardolfo in Falstaff with the Saito Kinen Festival in Japan. Notable roles include Candide, Oronte in Alcina, Tobias in Sweeney Todd, Nanki-Poo in The Mikado, and many others with New York City Opera, Nanki-Poo with English National Opera, and Peter Quint in The Turn of the Screw with Opera Royal de Wallonie, the Novice in Billy Budd with Santa Fe Opera, Los Angeles Opera and the Metropolitan Opera. He sang Haydn’s Creation and Lord Nelson Mass, with Boston Baroque, both released on CD. Future engagements include Capriccio with Lyric Opera of Chicago, Iolanta and Carmen at the Metropolitan Opera, and Candide with the Baltimore Symphony. He will record his first solo CD this year, including the new song cycle Thoroughfare by Conrad Cummings and Mark Campbell.

CHARITY WICKS is a pianist and music director who is highly lauded for her versatility, as she is at ease with a wide range of repertory from solo works and chamber music to contemporary opera and musical theater. She has been the pianist for numerous workshops and performances of The Golden Gate, and is always thrilled to be playing Conrad’s music! Charity has been a music director and pianist for many AOP projects over the years, including the Composers and the Voice program and Semmelweis by Ray Lustig, and she was most recently the associate conductor of the world premier of The Summer King, a new opera by Daniel Sonenberg. She also was involved in the workshops of Stephen Schwartz’s opera Séance on a Wet Afternoon, for which she was the associate conductor for the world premier. She has additionally worked on several Broadway musicals including Wicked, Violet, Big Fish, Nice Work if You Can Get It, Billy Elliot, In the Heights, and Spring Awakening, and regularly develops new musicals. She holds a BM and MM from Temple University, and a DMA from The Manhattan School of Music.

 

ABOUT THE PRODUCER

At the forefront of the contemporary opera movement for a quarter-century, AOP creates, develops and presents opera and music theatre projects collaborating with young, rising and established artists in the field. AOP has produced over 20 world premieres including Nkeiru Okoye’s Harriet Tubman: When I Crossed That Line to Freedom, Lera Auerbach’s The Blind, a co-production with Lincoln Center Festival 2013. Other notable premieres include Kimper/Persons’ Patience & Sarah (1998), Stefan Weisman’s Darkling (2006), Lee Hoiby’s This is the Rill Speaking (2008), and Phil Kline’s Out Cold (2012) at BAM. AOP-developed projects with premiere with collaborating companies: Gregory Spears’s Paul’s Case at Urban Arias (2013) and PROTOTYPE Festival (Jan 2014), Kamran Ince’s Judgment of Midas at Milwaukee Opera Theatre (2013), Jack Perla’s Love/Hate at ODC Theater with San Francisco Opera (2012), Stephen Schwartz’s Séance on a Wet Afternoon at New York City Opera (2011), Tarik O’Regan’s Heart of Darkness at London’s Royal Opera House (2011), Jorge Martín’s Before Night Falls at Fort Worth Opera (2010), Lee Hoiby’s This Is the Rill Speaking at Opera Memphis (2013) and Purchase College (2008). Upcoming:  As One at BAM and Composers & the Voice: Six Scenes, September 2014.

Emma Lively is the president of LIVELYWORKS, a young company committed to developing and producing tuneful, optimistic and entertaining works for the stage.

 

ADDITIONAL PROJECT INFO AND PRESS MATERIALS AVAILABLE AT: www.operaprojects.org

 

Two Premieres and a Reunion
An Evening of Music by Conrad Cummings

Wednesday September 10th, 7:30 p.m.

Tickets $15, available online at https://twopremieres.eventbrite.com or $20 at the door

National Opera Center
330 Seventh Avenue at 29th Street, Manhattan

Concert duration: 55 minutes

 

Join Mr. Cummings, the creators, and the artists for drinks and snacks after the concert


Meet the esteemed moderators of our post-show talks for AS ONE

August 14, 2014
 

American Opera Projects will host Artist Talks after each performance of As One, its new opera by Laura Kaminsky, Mark Campbell, and Kimberly Reed, premiering at BAM September 4th, 6th, and 7th. These talks will be free for audience members.

Jean Malpas (far left) leads a discussion with As One's creators (l. to r.) Mark Campbell, Laura Kaminsky, and Kimberly Reed after a June workshop at BAM Fisher.

Jean Malpas (far left) leads a discussion with As One’s creators (l. to r.) Mark Campbell, Laura Kaminsky, and Kimberly Reed after a June workshop at BAM Fisher.

Andrew Solomon – Thursday, September 4

The first talk on September 4th will be moderated by Andrew Solomon, a writer and lecturer on psychology, politics, and the arts; winner of the National Book Award; and an activist in LGBT rights, mental health, and the arts. Solomon’s award-winning book, Far From the Tree: Parents, Children, and the Search for Identity, tells the stories of parents who not only learn to deal with their exceptional children, but also find profound meaning in doing so.  Solomon’s chapter on transgender individuals profiles As One co-librettist and filmmaker Kimberly Reed (see video below). He also writes about families coping with deafness, dwarfism, Down syndrome, autism, schizophrenia, multiple severe disabilities, with children who are prodigies, who are conceived in rape, who become criminals. While each of these characteristics is potentially isolating, the experience of difference within families is universal, as are the struggles toward compassion and the triumphs of love Solomon documents in every chapter.  Woven into these courageous and affirming stories is Solomon’s journey to accepting his own identity, which culminated in his midlife decision, influenced by this research, to become a parent.

 As One Co-librettist and Filmmaker Kimberly Reed on Far From the Tree

Naomi Lewin – Saturday, September 6

The second talk on September 6th will be moderated by Naomi Lewin, the weekday afternoon host on WQXR, the host of WQXR’s weekly opera program Operavore, the host of weekly podcast Conducting Business, and a great supporter of contemporary opera. Before arriving at WQXR, Lewin was the midday host at WGUC, Cincinnati’s classical public radio station. In Cincinnati, she began writing and hosting the award-winning, weekly program Classics for Kids, which now airs on radio stations across the country. Lewin has produced feature stories and full-length music programs for national broadcast, as well as intermission features for Metropolitan Opera broadcasts. She has also served as an essayist for NPR’s Weekend Edition Sunday. 

A Discussion with Marilyn Horne About Melding Opera and Pop Culture

Jean Malpas – Sunday, September 7

The third talk on September 7th will be moderated by Jean Malpas, LMHC, LMFT a psychotherapist in private practice and a faculty member of the Ackerman Institute for the Family in New York City. For the past 10 years, Jean has provided psychotherapy to individuals, couples, families and groups. His expertise includes family and relationship issues, substance abuse and recovery, sexual and gender identity, depression, anxiety, chronic illness and cultural adjustment. In addition to teaching family therapy at the Ackerman Institute, Jean has presented nationally and internationally on addiction counseling, couples therapy, gender and sexuality. His innovations have been published in professional books and journals as well as magazines and blogs in the U.S., Europe and Canada.

Gender Variance with Jean Malpas

Tickets for As One can be purchased at BAM.org/AsOne


AMERICAN OPERA PROJECTS PRESENTS “SIX SCENES” OF NEW OPERAS BY EMERGING COMPOSERS AND LIBRETTISTS

August 13, 2014

MUSIC FROM THE 2013-14

SEASON OF COMPOSERS & THE VOICE

 

A Stonewall-era drag queen and the cop entranced by her. A princess manipulates her captor during the Crusades. A man’s literal vacation from Hell. On­­­­ Friday, September 12 and Sunday, September 14 at 7:30 PM, AOP (American Opera Projects) will present these and other excerpts of new operas at COMPOSERS & THE VOICE: SIX SCENES 2014, the culmination of this season’s Composers & the Voice (C&V) opera training program. Audiences will see scenes by five emerging composers – Guy Barash, Avner Finberg, Jeremy Gill, Andreia Pinto-Correia, Gity Razaz – and one composer/librettist team, Joseph Rubinstein and Jason Kim, who were chosen by AOP to spend a year creating new works focusing on the operatic voice. The performances will be held at South Oxford Space in Fort Greene, Brooklyn, home of AOP. Tickets are $15 general admission, $10 for students/seniors and are available at http://www.operaprojects.org.

AOP Resident Ensemble of Singers performing: sopranos Deborah Lifton (Center for Contemporary Opera, Encompass New Opera Theatre) and Kristin Sampson (Dicapo Opera Theatre, Santa Fe Opera), mezzo Blythe Gaissert (Los Angeles Opera, Aspen Music Festival), tenor Dominic Armstrong (New York City Opera, Lyric Opera of Chicago), baritone Jorell Williams (Caramoor International Music Festival, Opera Theatre of St. Louis), and bass-baritone Matthew Burns (Boston Lyric Opera, New York City Opera).  Supporting on piano will be Composers & the Voice Music Directors Mila Henry, Kelly Horsted, and Charity Wicks.

The performances will be hosted by C&V Artistic Director Steven Osgood (conductor, Chautauqua Opera, New York City Opera) and feature discussions with the artists about the creative process.

This year’s C&V fellows have benefitted from one-on-one mentoring from esteemed composers Daron Hagen, Jake Heggie, Libby Larsen, John Musto, Tobias Picker, and Stephen Schwartz, as well as librettist Mark Campbell. Each of these distinguished artists reviews their fellows’ work, offers feedback, and participates in C&V discussions.

Previous Six Scenes by C&V alumni produced in the Brooklyn-based bi-annual series featured the first performances of Jack Perla’s Love/Hate (World Premiere 2012, San Francisco) and Gregory Spears’ Paul’s Case (World Premiere Spring 2013, in Washington, DC and New York).

ABOUT COMPOSERS & THE VOICE

Created and led by Artistic Director Steven Osgood, Composers & the Voice began in 2002 and is currently in its seventh season. In Composers & the Voice, fellows establish an understanding of how the operatic voice works and how to write optimally for each voice type, and have hands-on experiences that allow them to explore in their own musical and textual language. Participants meet in closed sessions from September to April to present and discuss new works composed specifically for the individual voices of the Resident Ensemble.

With each new group of fellows, sponsorships are named in honor of mentors and their support of Composers & the Voice. During the workshop session these “Composer Chairs” make themselves available to our fellows for one-on-one discussions and feedback. Past “Composer Chairs” have included composers Mark Adamo, John Corigliano, Tan Dun, Daron Hagen, Lee Hoiby, John Musto, Richard Peaslee, Tobias Picker, Kaija Saariaho, and Stephen Schwartz.

Composers & the Voice holds a long-established partnership with The Manhattan School of Music, and a new affiliation with the UCLA Herb Alpert School of Music, as a way of introducing contemporary opera to students. Two of the scenes featured in September’s Six Scenes concert will be selected for study and performance in 2015 at the two conservatories.

Composers & the Voice is made possible in part by a generous multi-year award from The Andrew W. Mellon Foundation. Fellows in the C&V program are supported by funding from The New York Community Trust, Edward and Sally Van Lier Fund, and Musical Arts Fund. In the 2013-2014 season, The Victor Herbert Foundation has announced the sponsorship of one fellowship as The Victor Herbert Foundation Composers & The Voice Chair. The Chair is created in memory of longtime opera supporter Lois C. Schwartz.

 picture

C&V Fellows  (l. to r.) Jason Kim, Joseph Rubinstein, Jeremy Gill, Gity Razaz, Andreia Pinto-Correia, Guy Barash, and Avner Finberg. Photo by Ted Gorodetzky. Additional photos: https://flic.kr/s/aHsjGVwRYe
 

CALENDAR LISTING INFORMATION

AMERICAN OPERA PROJECTS presents

Composers & the Voice: Six Scenes 2014

World Premiere Opera Scenes from the 2013-14 Season of Composers & the Voice

WORKS BY: Guy Barash, Avner Finberg, Jeremy Gill, Andreia Pinto-Correia, Gity Razaz, Joseph Rubinstein and Jason Kim

MUSIC DIRECTION: Mila Henry, Kelly Horsted, Charity Wicks

PERFORMANCES BY: Deborah Lifton, Kristin Sampson, Blythe Gaissert, Dominic Armstrong, Jorell Williams, Matthew Burns

Friday, September 12 and Sunday, September 14, 7:30 p.m.

South Oxford Space

138 S. Oxford St., Brooklyn, NY 11217

Subway: 2, 3, 4, 5, Q, B to Atlantic Avenue – Barclays Center

D, N, R to Pacific Street; G to Fulton Street; C to Lafayette Avenue

Train: Long Island Railroad to Atlantic Terminal – Barclays Center

Bus: B25, B26, B45, B52, B63, all stop within three blocks of South Oxford Space

Car: Commercial parking lots are located adjacent to BAM and Barclays Center

Tickets: $15 General Admission, $10 Students/Seniors

Tickets available at www.operaprojects.org

Complete information about Composers & the Voice and this year’s artists can be found at www.operaprojects.org/composers_voice.htm

ABOUT THE PRODUCER

At the forefront of the contemporary opera movement for a quarter-century, AOP creates, develops and presents opera and music theatre projects collaborating with young, rising and established artists in the field. AOP has produced over 20 world premieres including Nkeiru Okoye’s Harriet Tubman: When I Crossed That Line to Freedom, Lera Auerbach’s The Blind, a co-production with Lincoln Center Festival 2013. Other notable premieres include Kimper/Persons’ Patience & Sarah (1998), Stefan Weisman’s Darkling (2006), Lee Hoiby’s This is the Rill Speaking (2008), and Phil Kline’s Out Cold (2012) at BAM. AOP-developed projects with premiere with collaborating companies: Gregory Spears’s Paul’s Case at Urban Arias (2013) and PROTOTYPE Festival (Jan 2014), Kamran Ince’s Judgment of Midas at Milwaukee Opera Theatre (2013), Jack Perla’s Love/Hate at ODC Theater with San Francisco Opera (2012), Stephen Schwartz’s Séance on a Wet Afternoon at New York City Opera (2011), Tarik O’Regan’s Heart of Darkness at London’s Royal Opera House (2011), Jorge Martín’s Before Night Falls at Fort Worth Opera (2010), Lee Hoiby’s This Is the Rill Speaking at Opera Memphis (2013) and Purchase College (2008). Upcoming:  As One at BAM, September 2014.

ADDITIONAL PROJECT INFO AND PRESS MATERIALS AVAILABLE AT: www.operaprojects.org


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