NEW OPERA TACKLES RACISM IN AMERICA IN CONCERT PERFORMANCES THIS NOVEMBER

October 30, 2014

Independence Eve, currently in development at AOP, to be presented at Adelphi University and Brooklyn’s South Oxford Space

NEW YORK, NYAOP (American Opera Projects) and Adelphi University present Independence Eve, a new chamber opera in three scenes that explores the troubled journey of race relations in America. The concert performances will take place on Thursday, November 13 at 7:30PM at the Concert Hall of the Performing Arts Center at Adelphi University (1 South Ave, Garden City, NY 11530), with a second performance on Saturday, November 15 at 8PM in the Great Room at AOP’s South Oxford Space (138 S Oxford Street, Brooklyn, NY 11217). Composed by Sidney Marquez Boquiren with a libretto by Daniel Neer, the opera will include performances by baritone Jorell Williams, and tenor Brandon Snook. Damian Norfleet will act as stage director, while Mila Henry will provide music direction and piano.

Tickets for the Nov. 13 Adelphi performance will be $20 with discounts suitable for seniors, alumni and students. Tickets are on sale now and are available at http://aupac.adelphi.edu/. Tickets for the Nov. 15 South Oxford Space performance will be $20 and $15 for students and seniors and are available at www.operaprojects.org.

Currently in development at AOP, Independence Eve is comprised of three unrelated scenes, each of which take place on July 3 on a park bench in an unspecified American city, in the years 1963, 2013, and 2063. Each story focuses on the relationship between two men, one white and one black, who struggle with identity and acceptance. Independence Eve is a study of black and white America, offering commentary on the intricacies of race relations and the insidious and persistent stain of racism that has remained consistent throughout American history. The first scene of the opera, “Stop and Frisk,” has already received numerous community performances throughout Brooklyn, including this year’s BEAT festival. It has garnered attention from the press, including a recent Talk of the Town profile in The New Yorker.

Independence Eve is currently in development as part of the Brooklyn organization’s First Chance program that gives composers and librettists a first chance to hear their work performed before an audience. Development of the opera began during Mr. Boquiren’s fellowship in the 2011-12 season of AOP’s composer training program Composers & the Voice with both Mr. Williams and Mr. Snook creating their roles. Development of the opera is made possible, in part, through generous funding by The Andrew W. Mellon Foundation and the New York Department of Cultural Affairs. AOP plans to present the world premiere of Independence Eve at park benches around New York City in June 2015.

ADDITIONAL PROJECT INFO AND PRESS MATERIALS AVAILABLE AT: www.operaprojects.org

Jorell Williams and Brandon Snook in Two Sides Sounding's 2014 presentation of the AOP-developed "Stop and Frisk"

Jorell Williams and Brandon Snook in Two Sides Sounding’s 2014 presentation of the AOP-developed “Stop and Frisk”

ABOUT THE ARTISTS:

Sidney Marquez Boquiren is a composer-performer who grew up in the Philippines and Saudi Arabia but has spent most of his life in the United States. He collaborates with artists on various projects that include opera (Independence Eve with Daniel Neer); Biblical illumination (folia ligni for Spark and Echo Arts); and multi-media (The Gretel Project with Lauren K. Alleyne, Catherine Chung, and Tomiko Jones). As a pianist, he performs regularly with Rhymes With Opera and pulsoptional. -A MacDowell Fellow, Sidney is currently the Chair of the Department of Music at Adelphi University in Garden City, New York, where he teaches music theory and composition. He is also a cantor and sings in the church choir of The Church of St. Francis Xavier in Manhattan.

Daniel Neer enjoys a diverse career as a singing actor and librettist. Recent projects include Bruce Bailey with Daniel Felsenfeld for the BEAT Festival, and BQE with Robinson McClellan for the Queens New Music Festival, (both commissioned by Two Sides Sounding). The opera Mercury Falling, with Chandler Carter, was presented at the Long Leaf Festival in Raleigh, North Carolina, and song set HAIKU-NYC with Ellen Mandel recently premiered at the BEAT Festival. Daniel’s auspicious collaboration with Sidney Boquiren began with the workshop of Odes to Earth and Air, a partnership continuing with Independence Eve in collaboration with American Opera Projects. Other recent premieres include two chamber works: The Good Doctor Windhager with Ronnie Reshef, and Summer, 1976 by Kim Sherman, both premiered by the lyricist and the Qube String Quartet in Columbus, Ohio. Baritone

Jorell Williams is from Brentwood, Long Island, but he was born in Brooklyn at Kings County Hospital. He had the honor of performing with the Chorale Le Chateau of New York in “A CELEBRATION OF AMERICA” in the Kennedy Center’s Eisenhower Theater on the occasion of the Presidential Inauguration of Barack Obama and Martin Luther King, Jr. Day. Praised by Opera News as having a “Solid vocal core” and the ABC News & Entertainment as “smooth-voiced”, Jorell Williams is pursuing a versatile performing career. Highlights of Jorell’s work include: Off-Broadway debut as The Villager with the New York City Center Encores! production of Kurt Weill’s Lost in the Stars, Captain Corcoran in HMS Pinafore (2011) and Fiesque in Maria di Rohan (2010) with the Caramoor International Music Festival, “The Muir” with the Mark Morris Dance Group, recording “Mr. President/Americana” with the Essential Voices USA for NPR, Maximilian in Candide with Coópera: Project Opera Manhattan, and appearing with the Metropolitan Opera/Lincoln Center Opera Theatre’s collaborative workshop reading of Nico Muhly’s TWO BOYS (2011) and Michael Torke’s SENNA (2010). Mr. Williams is a graduate from the Manhattan School of Music, and earned his undergraduate degree at SUNY Purchase Conservatory of Music. For more information, please visit: http://www.myspace.com/jorellwilliams

Tenor Brandon Snook has been praised by The New York Times for his “vocal freshness”, along with his “appealing and talented” nature, and has collaborated extensively with AOP, most notably being part of the 2011-12 Composers & the Voice Series. In addition to playing Little Bat in productions of Susannah in Tel Aviv, he premiered the role of Robert Johnson in Phil Kline and Jim Jarmusch’s opera Tesla in New York, Tony in the Off-Off Broadway production of Terrence McNally’s Master Class, and Frederic in The Pirates of Penzance in South Carolina. Additional mainstage credits include Cincinnati Opera, Michigan Opera Theatre, Des Moines Metro Opera, Sarasota Opera, Lyric Opera of Kansas City, and solo concert credits at Lincoln Center and Brooklyn Academy of Music. A native of Dallas, Texas, Brandon has voice degrees from the University of Kansas and the University of Michigan.

Damian Norfleet is a singer, actor, and director from New York City. His past collaborations with the American Opera Project include Harriet Tubman: When I Crossed, The Summer King, Brer Rabbit and the Tar Baby, and We’ve Got Our Eye On You. Other past productions include Dreamgirls, Ragtime, Showboat, Cats, Henry V, The Festival of the Lion King, Smokey Joe’s Cafe, Tommy, Equus, The Music Man, Kiss me, Kate; The Threepenny Opera, Makandal, Go West! (Village People Musical), Casanova, The Tenderland, Don Giovanni, Carmen, the new American opera Truth, the feature film Outliving Emily and the webseries Co-Operation.

Mila Henry is a New York-based pianist, coach, and music director who specializes in music theater projects and vocal chamber music, ranging from art song to cabaret, folk opera to indie musicals, standard repertoire to contemporary classics. She has collaborated with American Opera Projects, American Lyric Theater, Beth Morrison Projects, Center City Opera Theater, Gotham Chamber Opera, HERE, OPERA America, Opera on Tap, Ripe Time, VisionIntoArt, and Two Sides Sounding. Notable engagements include: The Blind (Lincoln Center Festival); Thumbprint and The Scarlet Ibis (PROTOTYPE); Smashed: The Carrie Nation Story (FringeNYC); The World is Round and As One (BAM Fisher); The Difficulty of Crossing a Field (Beth Morrison Projects). milahenry.com

ABOUT THE PRESENTERS: AOP‘s mission is to identify, develop and present new and innovative works of music-theatre by emerging and established artists and to engage our audiences in an immersive, transformative theatrical experience. At the forefront of the contemporary opera movement for a quarter-century, AOP creates, develops and presents opera and music theatre projects collaborating with young, rising and established artists in the field. AOP has produced over 30 world premieres, most recently Kaminsky/Reed/Campbell’s As One at BAM (2014), Nkeiru Okoye’s Harriet Tubman: When I Crossed That Line to Freedom (2014), and Lera Auerbach’s The Blind (2013), a co-production with Lincoln Center Festival. AOP-developed operas that premiered with co-producers include Gregory Spears’s Paul’s Case at PROTOTYPE (2014), Stephen Schwartz’s Séance on a Wet Afternoon at New York City Opera (2011), and Tarik O’Regan’s Heart of Darkness at London’s Royal Opera House (2011). www.operaprojects.org

About Adelphi University: Adelphi is a world-class, modern university with excellent and highly relevant programs where students prepare for lives of active citizenship and professional careers. Through its schools and programs—College of Arts and Sciences, Derner Institute of Advanced Psychological Studies, Honors College, Robert B. Willumstad School of Business, Ruth S. Ammon School of Education, University College, College of Nursing and Public Health and the School of Social Work—the coeducational university offers undergraduate and graduate degrees as well as professional and educational programs for adults. Adelphi University currently enrolls nearly 8,000 students from 43 states and 45 foreign countries. With its main campus in Garden City and its centers in Manhattan, Suffolk County, and Poughkeepsie, the University, chartered in 1896, maintains a commitment to liberal studies, in tandem with rigorous professional preparation and active citizenship.

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POET AND LIBRETTIST J. D. MCCLATCHY TO PREVIEW NEW OPERA IN AFTERNOON OF POETRY AND MUSIC

October 23, 2014

Afternoon at NYC’s Poets House to feature libretto reading and music performance from The Leopard, based on famous Italian novel

Leopard-1.1

NEW YORK, NY – AOP (American Opera Projects) and Poets House present a discussion with award-winning poet and librettist J. D. McClatchy followed by a reading of his latest opera libretto The Leopard, based on the acclaimed novel by Giuseppe Tomasi di Lampedusa and directed by James Robinson. The discussion will be joined by The Leopard‘s composer Michael Dellaira and will feature a performance of music from the opera-in-development and a mid-event reception with the artists. The event will take place on Saturday, November 8 at 3 PM at Kray Hall in Poets House (10 River Terrace, New York, NY 10282 in Battery Park City). Tickets are $10, $7 for students and seniors, free to Poets House members and can be purchased at www.poetshouse.org.

Commissioned and in development by AOP, The Leopard is the third opera from librettist J. D. McClatchy and composer Michael Dellaira, following The Secret Agent (2011) and The Death of Webern (2013). In their latest opera, the Prince of Salina, known as The Leopard because of his commanding personality, faces a society in upheaval during Garibaldi’s 1860 invasion of Sicily, and is forced to choose between decay and progress, between the downfall of the nobility and the future of his family. The completed opera will be in two acts.

The Leopard has been commissioned by AOP and is currently in development as part pf the Brooklyn organization’s First Chance program that gives composers and librettists a first chance to hear their work performed before an audience. Development of the opera is made possible, in part, through generous funding by the Virginia B. Toulmin Foundation and the Paul Underwood Charitable Trust.

Based on the internationally acclaimed 1958 novel Il Gattopardo by Giuseppe Tomasi di Lampedusa, The Leopard was also adapted into the 1963 film classic by Luchino Visconti starring Burt Lancaster and Claudia Cardinale.

ABOUT THE ARTISTS

J. D. McClatchy is the author of eight books of poems, most recently Plundered Hearts: New and Selected Poems (Knopf). He has written libretti for Francis Thorne’s Mario and the Magician (1994), Tobias Picker’s Emmeline (1996), Lorin Maazel’s 1984 (with Thomas Meehan, 2005), Lowell Liebermann’s Miss Lonelyhearts (2006), Ned Rorem’s Our Town (2006), Elliot Goldenthal’s Grendel (with Julie Taymor, 2006), Bernard Rands’s Vincent (2011), Daron Hagen’s Little Nemo in Slumberland (2012), Martin Bresnick’s My Friend’s Story (2013), and Tobias Picker’s Dolores Claiborne (2013). His work has been performed at the Metropolitan Opera, Covent Garden, La Scala, the Kennedy Center, San Francisco Opera, and other leading opera stages around the world.

James Robinson is regarded as one of America’s most inventive and sought-after stage directors. Artistic Director of Opera Theatre of Saint Louis, Robinson has staged productions for major opera companies, including New York City Opera, Santa Fe Opera, Houston Grand Opera, Washington National Opera, Welsh National Opera, Canadian Opera Company, San Francisco Opera, and Seattle Opera. Recent projects include the world premiere of Picker’s Dolores Claiborne for San Francisco Opera, the American premiere of Huang Ruo’s Dr. Sun Yat Sen for Santa Fe Opera and the world premiere of Champion.

Michael Dellaira is the composer of three operas. His first, Chéri, on a libretto by Susan Yankowitz, produced by The Actors Studio and directed by Tony-Award winner Carlin Glynn, was a finalist for the 2006 American Academy of Arts and Letters Richard Rodgers Award in Musical Theater. From 2006-2010 he was composer-in-residence with the Center for Contemporary Opera, which co-commissioned The Secret Agent, his first collaboration with J. D. McClatchy. The Death of Webern, also on a libretto by J.D. McClatchy, was commissioned by The Pocket Opera Players and premiered in October 2013.

ABOUT THE PRESENTERS

AOP‘s mission is to identify, develop and present new and innovative works of music theater by emerging and established artists and to engage our audiences in an immersive, transformative theatrical experience. At the forefront of the contemporary opera movement for a quarter-century, AOP creates, develops and presents opera and music theatre projects collaborating with young, rising and established artists in the field. AOP has produced over 30 world premieres, most recently Kaminsky/Reed/Campbell’s As One at BAM (2014), Nkeiru Okoye’s Harriet Tubman: When I Crossed That Line to Freedom (2014), and Lera Auerbach’s The Blind (2013), a co-production with Lincoln Center Festival. AOP-developed operas that premiered with co-producers include Gregory Spears’s Paul’s Case at PROTOTYPE (2014), Stephen Schwartz’s Séance on a Wet Afternoon at New York City Opera (2011), and Tarik O’Regan’s Heart of Darkness at London’s Royal Opera House (2011). www.operaprojects.org

Poets House is a national 60,000-volume poetry library, literary center for adults and children, and exhibition space that invites poets and the public to step into the living tradition of poetry. Poets House – through its poetry resources, literary events, and archival and poetry-related visual art exhibitions – documents the wealth and diversity of modern poetry and stimulates public dialogue on issues related to poetry in culture. Founded in 1985 by two-time Poet Laureate Stanley Kunitz and legendary arts administrator Elizabeth Kray, the library has created a home for all who read and write poetry. In 2009, Poets House moved into its permanent home, at 10 River Terrace in Battery Park City, on the banks of the Hudson River. For more information about these events and Poets House in general, visit poetshouse.org and join us on Facebook and Twitter.


“LEGENDARY” Opera Scene Chosen From AOP Composer Training Program For Staged Performance

October 23, 2014

MANHATTAN SCHOOL OF MUSIC WILL PRESENT MUSIC AT ANNUAL “PAGE TO STAGE” PROGRAM IN MARCH 2015

Following its appearance in AOP’s Composers & the Voice training program, scenes from an opera-in-progress Legendary, music by Joseph Rubinstein, libretto by Jason Kim, have been selected by the Manhattan School of Music (MSM) to receive a staged performance at the music conservatory’s Greenfield Hall next Spring.

In Legendary, famed drag performer Dee Legendary embarks on a passionate love affair with (police) Officer John, whose fascination with Dee takes an unexpected and dangerous turn. Inspired by a true story, Legendary is an opera about double lives and destructive desires set in the glory days of New York City’s underground drag culture.

Legendary was developed during Rubinstein and Kim’s 2013-14 fellowship in AOP’s long running Composers & the Voice program (C&V). Along with five other composers, they received training for nine months with professional composers, librettists, and singers on creating opera and writing for the voice. A scene from Legendary was first presented to the public in September’s C&V Six Scenes concert.

The first two scenes of Legendary will be presented in March by AOP First Chance, public presentations of operas-in-progress, as part of MSM’s annual Opera Index series “New American Opera Previews, From Page to Stage.” Legendary will be the 11th AOP-developed work to appear in Page to Stage at MSM. Previous C&V works at MSM have included Jack Perla’s Love Hate (2012 premiere, ODC Theater with San Francisco Opera), Gregory Spears’ Paul’s Case (World premiere, UrbanArias (2013) and PROTOtype Festival (Jan 2014)), and Daniel Sonenberg’s The Summer King (concert premiere, PortlandOvations, May 2014). Composers & the Voice holds a long-established partnership with The Manhattan School of Music, as well as a new affiliation with the UCLA Herb Alpert School of Music, as a way of introducing contemporary opera to students.

Kim and Rubinstein in a 2013 Composers & the Voice workshop session. Photo by Ted Gorodetzky.

Kim and Rubinstein in a 2013 Composers & the Voice workshop session. Photo by Ted Gorodetzky.


Monodrama LUCY: A MEMORY OPERA examines thin line between man and ape in Milwaukee World Premiere

October 9, 2014

After exciting collaborations with choreographers Dylan Crossman and Amber Sloan in Montreal and NYC earlier this fall, composer John Glover, librettist Kelley Rourke and director Erik Pearson will receive the world premiere of, Lucy: A Memory Opera  in November. Workshopped in 2010 by AOP at WNYC’s Greene Space, Lucy will receive it’s world premiere November 7-9, 2014, in Milwaukee, WI in a production by Milwaukee Opera Theater, who commissioned the work.

Inspired by true events, Lucy tells the story of psychologist Maurice Temerlin who, along with his wife Jane, adopted a day-old chimpanzee in the sixties. Naming her Lucy, their intention was to raise her “as much as possible as though she were a human being”. Lucy learned to dress herself, eat with silverware, make tea for guests, look at magazines, communicate through sign language and enjoy cocktails. As Temerlin struggles to hold on to memories of a happy, albeit unconventional, family life, documentation from the experiment challenges him to come to terms with the project’s ultimate consequences.

Unfolding in one 70-minute act, this intimate and confrontational one-man show is written for baritone Andrew Wilkowske, REDSHIFT Ensemble and pianist/music director Chris Zemliauskas. With a libretto from Kelley Rourke and projection designs and direction by Erik Pearson, Lucy promises to be a unique operatic experience.

Tickets to the Milwaukee world premiere are only $28 and may be purchased here.

Watch excerpts from the workshop performance at WNYC’s Greene Space, presented by American Opera Projects below:

Or watch an additional excerpt here

 


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