AOP Board Member News: Performances, Accolades, and the Passing of a Leader

October 30, 2018

It has been a busy fall for AOP. Our Composers & The Voice fellows delivered a successful “Six Scenes” concert and our latest NYC premiere, “Savage Winter” has entered production for its November 7th unveiling at BAM. At this prolific time in our 30th season, we feel we must take a breath to acknowledge news about the achievements and influence of our effervescent Board members.

Anna Rabinowitz. photo © Elena Seibert

Anna Rabinowitz, poet, librettist, and National Endowment for the Arts fellow, has extrapolated her poetry collection, Words on the Street into a “multimedia hybrid performance” in collaboration with director Kristin Marting, video designer Lianne Arnold (As One), and composer Matt Marks. Staged at Baruch College’s Rose Naglebaum Theater from October 26th to November 4thWords on the Street is a humanity-spanning mystery story; a “what-done-it” if you will, surrounding the abduction of a baby in a dystopian world. Anna Rabinowitz has served on AOP’s board of directors since 2006 and has collaborated on AOP-commissioned adaptations of her poetry books, Darkling (music by Stefan Weisman) and The Wanton Sublime (music by Tarik O’Regan).

Anna Rabinowitz and the Berlin cast of AOP’s 2007 tour of Darkling.

In addition to this new production, Ms. Rabinowitz has also been honored by the Poetry Society of America, with a new prize conferred in her name. The Anna Rabinowitz Prize will be awarded in recognition of collaborative endeavors in the field of poetry that unify the art-form with typically related media such as music and visual art, or venture into more esoteric collaborative territory, such as science or mathematics. The award was established to honor Ms. Rabinowitz’s “boundless curiosity, creativity, and artistic accomplishments”, qualities she has shown no shortage of in her multifarious efforts with AOP.

Anthony Roth Costanzo, has been declared Musical America’s “Vocalist of the Year” for his courage, curiosity and passion in challenging notions of a counter-tenor’s role in contemporary opera, and his willingness to identify and combat issues faced by opera creatives in a relentlessly evolving artistic landscape. Celebrated for the “brilliant, piercing clarity of his voice” that can “blaze with passion” Costanzo has performed with The Metropolitan Opera, New York City Opera, Glimmerglass Festival, New York Philharmonic, and National Symphony Orchestra. With AOP, he was instrumental in AOP’s development of Wolf-In-Skins by composer Gregory Spears and librettist/choreographer Christopher Williams, and has been a member of the our board since 2013.

Anthony Roth Costanzo in the 2017 AOP workshop of Wolf-in-Skins. Photo: Steven Pisano.

Costanzo recently released his debut recording ARC, a collection that alternates between Arias by Handel and Glass, two composers who the singer views as integral to his development. The album was the basis for a large-scale, live cross-pollination of art-forms entitled “Glass Handel”. Art, dance, film, fashion, and theatre practitioners came together in a multimedia event intended to “appeal to an audience that is primed to appreciate aesthetic things but doesn’t really have an ‘in’ with opera”. Our heartiest congratulations to you in your multi-faceted endeavors, Anthony!

Anthony Roth Costanzo and Dr. Coco Lazaroff at AOP’s 25th Anniversary Gala at the Player’s Club. Photo by Richard Termine.

Finally, it is with heavy hearts that we acknowledge the passing of Dr. Coco Lazaroff, who has been Chair of the AOP Board since 2015. Dr. Lazaroff was a spirited and avid consumer of new opera, who challenged AOP to venture beyond traditional boundaries in the kinds of operas we develop. At the same time she adored the classic operas, and served on the board of the Metropolitan Opera.  She was a recognizable figure and always sat in the front row of theaters.  We imagine she now has the very best seat.  We miss you, Coco!

 


AOP alum George Lam named Chautauqua Opera Company’s newest Composer-in-Residence

December 19, 2017

Chautauqua Opera Company appoints AOP alumnus, George Lam, as its new Composer-in-Residence.

 

American Opera Projects and Chautauqua Opera are proud to announce George Lam as the upcoming composer-in-residence for Chautauqua Opera’s 2018 season. This is our third year of a multi-year collaboration with Chautauqua Opera that invites one alumnus from AOP’s Composers & the Voice Fellowship program to Chautauqua Institution for the summer and includes three commissions which are premiered by Chautauqua Opera each season.

To learn more about the Composer-in-Residence program and this year’s composer, please visit http://chq.org/opera-about/composer-in-residence-program.

In July/August 2016, American Opera Projects and Chautauqua Opera launched a multi-year Composer-in-Residence initiative. Each summer one alumni of AOP’s Composers & the Voice Fellowship will be invited to be in residence for Chautauqua Opera’s entire 8-week season. The Composer-in-Residence will be a prominent public face for the Chautauqua Opera, speaking passionately about the company’s season, and exploring the role of a composer in today’s society.

AOP will commission three pieces from the Composer-in-Residence– 2 for voice and piano, and 1 for voice and orchestra– which will be premiered during Chautauqua Opera’s season, by members of its Young Artist Program, and then be presented in AOP’s subsequent New York City season. With texts drawn from and inspired by lecturers and speakers at the Chautauqua Institution, these new works will first appear on the “Artsongs in the Afternoon” recital series and the Opera Highlights concert with the Chautauqua Symphony Orchestra.

“When an audience knows the creator, they become immediately invested in his or her creations,” Steven Osgood said. “This is the kind of relationship I see being forged throughout the opera community nationwide, and I look forward to sharing it with CHQ.

 

About the Chautauqua Opera Company

Founded in 1929, The Chautauqua Opera Company is North America’s oldest continuously operating summer opera company and 4th oldest opera company after the Metropolitan Opera, Cincinnati Opera and San Francisco Opera. The Chautauqua Opera Company offers more than 40 operatic events each season, including fully staged productions in Chautauqua Institution’s 4000-seat Amphitheater and in the historic 1,300-seat Norton Hall, Concerts with the Chautauqua Symphony Orchestra, weekly recitals, Music Theater Revues, Opera Scenes programs, and operatic revues for young audiences. Chautauqua Opera productions feature internationally recognized guest artists as well as promising young singers from our Young Artist Program.

About American Opera Projects

At the forefront of the contemporary opera movement for a quarter-century, AOP creates, develops and presents opera and music theatre projects collaborating with young, rising and established artists in the field. AOP has been a producer on over 30 world premieres, including Kaminsky/Reed/Campbell’s As One (BAM 2014), Lera Auerbach’s The Blind (Lincoln Center Festival 2013), Davis/Pelsue’s Hagoromo (BAM 2015 Next Wave Festival), a dance opera starring Wendy Whelan and Jock Soto, and Paterson/Cote’s Three Way (Nashville Opera and BAM 2017).  www.aopopera.org

AOP Contact: Matt Gray, AOP Producing Director, 718-398-4024, mgray@operaprojects.org

 

 


Chautauqua Opera Company and AOP announce Gity Razaz as 2017 Composer-in-Residence

February 6, 2017

The Chautauqua Opera Company continues a multi-year collaboration with American Opera Projects’ prestigious Composers & the Voice Fellowship Program

Gity Razaz joins the company as the 2017 Composer-in-Residence, writing three commissions that will receive world premieres during the summer season

Composer Gity Razaz. Photo by Rahima Nasa.

Composer Gity Razaz. Photo by Rahima Nasa.

2017 marks the second year of a multi-year collaboration between the Chautauqua Opera Company and Brooklyn’s American Opera Projects (AOP). Each year the Chautauqua Opera Company will invite one alumnus of AOP’s prestigious Composers & the Voice Fellowship Program to join the company for the 8-week summer season.

“The operatic voice is probably the most complicated and multi-faceted instrument a composer can tackle, and throughout history the most successful operatic composers have been continually immersed in writing for and working with singers. It is with this model that Composers & the Voice was designed, offering a select few composers the chance to work hands-on with the same singers and music directors over a 12-month period. I am tremendously proud of the composers who have come through the program, and am delighted to now be able to bring them into the Chautauqua community as they build their operatic careers,” says Steven Osgood, General and Artistic director of the Chautauqua Opera Company. Osgood is also Artistic Director for the Composers & the Voice Fellowship program, which he created in 2003.

The Chautauqua Opera Company has named Gity Razaz as the 2017 Composer-in-Residence. Hailed by the New York Times as “ravishing and engulfing,” Ms. Razaz’s music ranges from concert solo pieces to large symphonic works. With an ear for intense melodies and expanding harmonic language, Ms. Razaz’s compositions are often dramatically charged; as described by John Corigliano: “…her Middle-Eastern roots have merged with her Western sensibilities to produce music that is both original and startling.“ Ms. Razaz’ upcoming projects include a 60-minute ballet score for Moscow Theatre Ballet, which is scheduled for a world premiere in Moscow in June 2017, as well as a work for classical guitar duo commissioned by Duo Noir(e). Born in Tehran, Ms. Razaz started her musical studies in piano at a young age and began composing intuitively at age nine.

“As a full-time composer accustomed to working in solitude hours on end, I have always yearned for creative opportunities that gather and nurture a community of artists,” says Ms. Razaz. “I believe that my music finds more strength, depth and intensity when I live within a vibrant ecosystem of artists with diverse creative backgrounds. I am thrilled to add my voice to Chautauqua’s musical community this summer.”

American Opera Projects will commission three new pieces from Ms. Razaz, each of which will be premiered as part of Chautauqua Opera’s 2017 season, by members of its Young Artist Program, and then be presented in AOP’s subsequent New York City season. With texts drawn from and inspired by lecturers and speakers at the Chautauqua Institution, these new works will first appear on Chautauqua Opera’s “Afternoon of Song” recital series and their Opera Highlights concert with the Chautauqua Symphony Orchestra.

Chautauqua Opera’s first Composer-in-Residence, Jeremy Gill, describes his experience at Chautauqua during the 2016 season: “Spending the summer on the beautiful grounds, working closely every day with the wonderful coaching staff and Young Artists there, helping with and observing the creation of multiple productions from the first rehearsal to final performance: these all offered me a complete picture of the loving labors that go into each performance. Naturally, writing for the Chautauqua Symphony Orchestra and Young Artists under Steve Osgood’s baton was a highlight of the summer, but even more was the warm reception my work received from the community that, by then, I had become a member of.”

For more information about Gity Razaz, please visit her website, GityRazaz.com
For more information about Jeremy Gill, please visit his website, JeremyTGill.com
For more information about Chautauqua Opera’s Composer-in-Residence program, please visit ciweb.org/composer-in-residence

More about The Composers & the Voice Fellowship Program:
The Composers & the Voice Fellowship Program is a two-year fellowship for composers and librettists that provides experience writing for the voice and opera stage, created and led by Artistic Director Steven Osgood. The fellowship includes a year of working with the company’s Resident Ensemble of Singers and Artistic Team followed by a year of continued promotion and development through AOP and its strategic partnerships. Since launching in 2002, C&V has fostered the development of 54 composers & librettists.

Recent and upcoming world premieres that began development in Composers & the Voice include Gregory Spears’ Paul’s Case at Urban Arias (2013) and PROTOTYPE Festival and Pittsburgh Opera (2014), Jack Perla’s Love/Hate at ODC Theater with San Francisco Opera (2012), Rob Paterson’s Three Way (Nashville Opera/BAM, 2017), Daniel Sonenberg’s The Summer King (Pittsburgh Opera, 2017), and Sidney Boquiren’s Independence Eve (Urban Arias, 2017).

The Composers & the Voice program is made possible in part by a generous multi-year award from The Andrew W. Mellon Foundation.

More about American Opera Projects:
At the forefront of the contemporary opera movement for a quarter-century, American Opera Projects creates, develops and presents opera and music theatre projects collaborating with young, rising and established artists in the field. AOP has been a lead producer on over 30 world premieres; recent highlights include Kaminsky/Reed/Campbell’s As One (2014), Lera Auerbach’s The Blind (2013), and the dance opera Hagoromo at BAM 2015 Next Wave Festival. www.aopopera.org


Three new operas developed by American Opera Projects to premiere in early 2017

January 18, 2017

American Opera Projects (AOP) in New York is currently developing twenty-one new operas with three to premiere in 2017 in multiple locations across the US:

THREE WAY – a sex comedy opera
Premieres January 27 – 29 @ Nashville Opera and June 15-18 @ Brooklyn Academy of Music.
Developed in AOP’s Composers & the Voice and First Chance programs
With music by Robert Paterson (The Whole Truth) and a libretto by David Cote (The Scarlet Ibis), Three Way is a new opera on the present and future of sex and love. In three playful one-acts, average heroes explore the worlds of android lovers, BDSM and multiple partners in their searches for the emotional connections that are ever-elusive in today’s romantic world. Sexy, funny and a little bit shocking, Three Way combines complex but melodic music with witty humor and personal drama creating an Il trittico for the Tinder generation. Nashville Opera and AOP will present the world premiere of Three Way January 27-29, 2017 at The Tennessee Performing Arts Center in Nashville, TN and June 15-18, 2017 at BAM Fisher in Brooklyn, NY in a production directed by John Hoomes and conducted by Dean Williamson. It will feature performances by singers Courtney Ruckman, Samuel Levine, Danielle Pastin, Jordan Rutter, Wes Mason, Melisa Bonetti, Matthew Treviño, and Eliza Bonet with the Nashville Opera Orchestra (January) and the American Modern Ensemble (June performances). Three Way is sung in English with projected English titles, and contains adult language and situations intended for mature audiences. Tickets for the January world premiere are on sale at www.nashvilleopera.org.

THE SUMMER KING – life of Negro League baseball star, Josh Gibson
Premieres April 29-May 7 @ Pittsburgh Opera
Developed in AOP’s Composers & the Voice and First Chance programs
The very first world premiere in Pittsburgh Opera’s distinguished 78-year history, The Summer King tells the story of baseball legend Josh Gibson who went from the sandlots of Pittsburgh’s North Side to the pinnacle of greatness in the Negro Leagues, before ultimately being enshrined in the National Baseball Hall of Fame in Cooperstown, NY. With music by Daniel Sonenberg and libretto by Daniel Sonenberg and Daniel Nester, and additional lyrics by Mark Campbell, Pittsburgh Opera will present the world premiere at Pittsburgh’s Benedum Center for the Performing Arts. Alfred Walker and Denyce Graves lead a cast directed by Sam Helfrich and conducted by Antony Walker. The Summer King was commissioned by Portland Ovations. For tickets and details see www.pittsburghopera.org/show/the-summer-king.

INDEPENDENCE EVE – 100 years of racial tension and relations in the US
Premieres June 3 – 11, Signature Theatre, Arlington, VA
Developed in AOP’s Composers & the Voice and First Chance programs
Washington D.C.’s UrbanArias and AOP present the world premiere of Independence Eve, a new chamber opera in three scenes by composer Sidney Marquez Boquiren and librettist Daniel Neer that explores the troubled journey of race relations in America. Comprised of three unrelated scenes, each of which take place on July 3 in an unspecified American city, Independence Eve focuses on the stories of three black males (each played by baritone Jorell Williams), and three white males (each played by tenor Brandon Snook), who struggle with identity and acceptance amidst race issues that span one hundred years of the American experience. Independence Eve is the fifth AOP-developed opera presented by UrbanArias following the world premieres of She, After, and Paul’s Case, last season’s As One, and this spring’s Lucy. UrbanArias Artistic Director Robert Wood conducts the world premiere that runs June 3-11, 2017 at Signature Theatre in Arlington, VA. Complete info can be found at www.urbanarias.org.

AS ONE – story of transgender self-discovery also presented across US: This spring will also feature new productions of the chamber opera As One at Pittsburgh Opera (Feb 18-26), Opera Colorado (March 2-4), and Long Beach Opera (May 13-21), making a total of nine new productions since AOP commissioned, developed and premiered the work at the Brooklyn Academy of Music in 2014. The opera for mezzo-soprano, baritone and string quartet by composer Laura Kaminsky, librettist Mark Campbell and librettist/ filmmaker Kimberly Reed, depicts the experiences of its sole transgender protagonist, Hannah, as she endeavors to resolve the discord between herself and the outside world.

ABOUT AMERICAN OPERA PROJECTS www.aopopera.org
Founded in 1988, American Opera Projects is at the forefront of the contemporary opera movement, commissioning, developing, presenting, and producing opera and music theatre projects, collaborating with young, rising, and established artists, and engaging audiences in unique and transformative theatrical experiences. AOP has produced over 30 world premieres, including the Nathan Davis/Brendan Pelsue dance chamber opera Hagoromo starring Wendy Whelan (BAM, 2015), Kaminsky/Reed/ Campbell’s As One (BAM, 2014), Nkeiru Okoye’s Harriet Tubman: When I Crossed That Line to Freedom (Irondale Center, 2014), and Lera Auerbach’s The Blind (co-production with Lincoln Center Festival, 2013) and the upcoming 2017 co-production with Nashville Opera of Robert Paterson’s Three Way (Nashville Opera, BAM Fisher). AOP develops new operas through two programs made possible by the Andrew W. Mellon Foundation and other generous donors that train emerging artists, and provide resources, workshop and production opportunities:

First Chance: First Chance allows composers and librettists to hear their work in part or in full for the first time before an audience, with live singers and accompaniment. Through question and answer sessions, First Chance allows audience members to provide input while artists discover their own unique voices. AOP then works on attracting presenting partners to produce a fully-staged world premiere including BAM, Lincoln Center Festival, and UrbanArias (in the DC metro area). www.aopopera.org/firstchance.html

Composers & the Voice: Created and led by Steven Osgood (General and Artistic Director of Chautauqua Opera and former Artistic Director of AOP), the Composers & the Voice fellowship training program provides composers and librettists experience working collaboratively with singers on writing for the voice and contemporary opera stage. AOP will begin its ninth season in Fall 2017, with applications made available on its website on March 15. Since launching in 2002, C&V has fostered the development of 54 composers & librettists. A complete list of alumni can be found at www.aopopera.org/composers_voice.

American Opera Projects
138 S. Oxford St. Ste. 3-D, Brooklyn, NY 11217 • 718.398.4024 • aoperaprojects.org


Composer and AOP Founding Board Member Richard Peaslee (1936-2016)

October 11, 2016
Composer Richard Peaslee

Composer Richard Peaslee

Composer and American Opera Projects founding board member Richard “Dick” Peaslee passed away on August 20 at his home in Seattle, WA at the age of 86, due to complications from MS. An award winning composer, Dick’s honors include The American Academy of Arts and Letters Marc Blitzstein Award, an Obie, a Villager Award, and fellowships from the New York Foundation for the Arts and the National Endowment for the Arts. He earned degrees from Yale University and The Juilliard School, and his teachers included Nadia Boulanger and William Russo.

AOP premiered his opera Sir Gawain the Green Knight in October 2001 at TADA!, and has performed his songs on concert programs. Dick donated the piano AOP uses at its Fort Greene home base; because of his generosity thousands of people have enjoyed music at our South Oxford Space. On October 16th, there will be a celebration of his life in Seattle, and another in New York at a later date to be announced.

AOP General Director Charles Jarden writes, “Dick was a huge influence on me and others about the way AOP still operates, especially our workshopping process. Dick was an advocate for libretto development ahead of music being written and the work’s stage-worthiness being addressed by the creative team. I was lucky enough to visit Dick and Dixie in Seattle and was touched because of the enormous mutual respect and love, which lit up that couple’s life…two artists (Dixie is a painter) in an inspiring close relationship.”

Link to his obituary

Link to Ardea Arts production of Sir Gawain and the Green Knight

AOP Photo Gallery: Sir Gawain and the Green Knight, 2001 World Premiere:

Sir Gawain and the Green Knight//embedr.flickr.com/assets/client-code.js


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