New LGBTQ Operas Coming Out in Hard Times

February 23, 2017
as-one-pittsburgh

Taylor Raven, left, and Brian Vu portray Hannah, the transgender heroine of As One at Pittsburgh Opera. Photo by Renee Rosensteel.

In light of recent news from Washington, American Opera Projects (AOP) announces that of its 31 new operas in development, four are on LGBTQ topics. For AOP, this is not new. In 1998, AOP premiered the first opera ever to focus on a lesbian relationship, Patience & Sarah, by composer Paula M. Kimper, and librettist Wende Persons, three years after Houston Grand Opera’s premiere of Harvey Milk composed by Stewart Wallace to a libretto by Michael Korie.

Upcoming LGBTQ operas are:

While AOP’s roster of LGBTQ operas is growing, clearly in our era there is still significant progress to be made. At the same time, these operas are being embraced across the US. As One, the first opera about a transgender person, by artistic team Laura Kaminsky, Mark Campbell, and Kimberly Reed is now one of the most performed new operas in America. Following AOP’s premiere at the Brooklyn Academy of Music, As One has had productions in Seattle, Washington D.C., Berkeley, Logan, UT, Berlin, and just last week, Pittsburgh, where the Pittsburgh Post-Gazette called it “pertinent and moving,” with upcoming shows in San Diego, Denver, New Orleans, Long Beach, Kansas City, and more.

As One forces you to think, simultaneously challenging preconceptions and inspiring empathy.” – The New York Times

Opera has unfortunately been late to embrace contemporary works, especially ones that address current events and lifestyles. But it is encouraging to see that more and more opera companies recognize the need to be an art form that reflects the stories of our time. In recent years, audiences have seen successful premieres of LGBTQ-themed operas such as Paul’s Case, Before Night Falls, and A Letter to East 11th Street – all having received development in AOP’s First Chance program – as well as Fellow Travelers, Three Decembers, Brokeback Mountain, Prince of Players, Champion, and Angels in America.

At a time when the Trump Administration has removed the Obama-era guidance allowing trans people to select school restrooms according to gender choice, AOP will continue to actively pursue works like these for development and production.

AOP’s most recent world premiere Three Way “explores sex without moralizing” (The East Nashvillian) depicting modern sexuality in three short, comic one acts. The co-production with Nashville Opera, where it had its well-received premiere in January, will come to the Brooklyn Academy of Music in June 2017.

I’m here for an opera that explains to straight people what being trans- or cis-gender is. Hopefully, we as the audience come to a deeper understanding with them. – Schmopera.com‘s review of Three Way’s world premiere in Nashville.

For us to empathize with the struggles of others there can be no art form where their stories are not told. Giving every minority – of race, gender, country, political view, you name it – an opportunity to tell their story may seem impossible, but it is still the ideal. More immediately, we hold as a goal that a proliferation of these stories will allow opera audiences to recognize that the conflicts and lives of every person are relatable. And that the discovery of those inherent, relatable truths of our unified humanity makes enlightening, and exciting, entertainment.

Bloggers: Matt Gray & Annie Troy

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Gender-fluid couple Kyle (Jordan Rutter) and Tyler (Melisa Bonetti), left, get eyed by another couple in Three Way. Photo by Anthony Popolo.


“LEGENDARY” Opera Scene Chosen From AOP Composer Training Program For Staged Performance

October 23, 2014

MANHATTAN SCHOOL OF MUSIC WILL PRESENT MUSIC AT ANNUAL “PAGE TO STAGE” PROGRAM IN MARCH 2015

Following its appearance in AOP’s Composers & the Voice training program, scenes from an opera-in-progress Legendary, music by Joseph Rubinstein, libretto by Jason Kim, have been selected by the Manhattan School of Music (MSM) to receive a staged performance at the music conservatory’s Greenfield Hall next Spring.

In Legendary, famed drag performer Dee Legendary embarks on a passionate love affair with (police) Officer John, whose fascination with Dee takes an unexpected and dangerous turn. Inspired by a true story, Legendary is an opera about double lives and destructive desires set in the glory days of New York City’s underground drag culture.

Legendary was developed during Rubinstein and Kim’s 2013-14 fellowship in AOP’s long running Composers & the Voice program (C&V). Along with five other composers, they received training for nine months with professional composers, librettists, and singers on creating opera and writing for the voice. A scene from Legendary was first presented to the public in September’s C&V Six Scenes concert.

The first two scenes of Legendary will be presented in March by AOP First Chance, public presentations of operas-in-progress, as part of MSM’s annual Opera Index series “New American Opera Previews, From Page to Stage.” Legendary will be the 11th AOP-developed work to appear in Page to Stage at MSM. Previous C&V works at MSM have included Jack Perla’s Love Hate (2012 premiere, ODC Theater with San Francisco Opera), Gregory Spears’ Paul’s Case (World premiere, UrbanArias (2013) and PROTOtype Festival (Jan 2014)), and Daniel Sonenberg’s The Summer King (concert premiere, PortlandOvations, May 2014). Composers & the Voice holds a long-established partnership with The Manhattan School of Music, as well as a new affiliation with the UCLA Herb Alpert School of Music, as a way of introducing contemporary opera to students.

Kim and Rubinstein in a 2013 Composers & the Voice workshop session. Photo by Ted Gorodetzky.

Kim and Rubinstein in a 2013 Composers & the Voice workshop session. Photo by Ted Gorodetzky.


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