UrbanArias to feature AOP operas LUCY and THE BLIND in upcoming season

July 27, 2016

UrbanArias, the bold and exciting presenter of contemporary opera in the Washington D.C. area, has announced productions of two AOP operas as part of their 2016-17 seasonLucy: A Memory Opera, by composer John Glover and librettist Kelley Rourke, and The Blind, director John La Bouchardière‘s immersive production of composer Lera Auerbach‘s a cappella opera. Under the leadership of founder Robert Wood, UrbanArias’ has been fulfilling its mission “to expose DC-area audiences to engaging, accessible, entertaining operas, and to provide a venue at which both established and emerging composers can present their shorter works” since its creation in 2011.

“…in Kelley Rourke’s and John Glover’s haunting new chamber opera… ‘Lucy’ becomes a potent exploration of the divide between human and animal.” – Milwaukee Mag

Developed by AOP First Chance in early workshopsLucy: A Memory Opera is a multi-media work of music-theater for baritone and chamber ensemble in one 70-minute act that tells the story of psychologist Maurice Temerlin who, along with his wife Jane, adopted a day-old chimpanzee in the sixties. Naming her Lucy, their intention was to raise her “as much as possible as though she were a human being”. Lucy learns to dress herself, eat with silverware, make tea for guests, look at magazines, communicate through sign language and enjoy cocktails. As Temerlin struggles to hold on to memories of a happy, albeit unconventional, family life, documentation from the experiment challenges him to come to terms with the project’s ultimate consequences.

Upon its premiere by Milwaukee Opera Theater in 2014 (which also commissioned the opera), On Milwaukee called the opera “an incredible triumph” and “absolutely mesmerizing.” UrbanArias will present the East Coast premiere of Lucy on April 1, 2, 7 and 8, 2017 at the Atlas Performing Arts Center.

AOP First Chance Workshop Performance of Lucy: December 10, 2010 at the Greene Space at WNYC

“Adventurous, eerie and thoroughly engaging” – The New York Times on the 2013 world premiere of THE BLIND.

At a lonely clearing in a wood, a group of blind people await the return of a priest who led them there in order to enable them to enjoy the last rays of the sun before the beginning of winter. Only the sound of the nearby sea can be heard. The longer they wait, the more restless the blind people become; in their desperation they realize that they are helpless and cannot move from their place. Their fear escalates to naked terror when they make a morbid discovery.

Premiered by AOP and Lincoln Center Festival in 2013, director John La Bouchardière’s reimagining of composer Lera Auerbach’s a cappella opera immerses the audience in the story by blindfolding them and placing them amongst the protagonists. Denying all the power to see and situating the voices within the audience, the performance unfolds in a shifting surround-sound world, in which non-visual senses are heightened as the smells of the forest, the feeling of sea breezes, the cold falling snow and Auerbach’s music enfold them. UrbanArias will present The Blind on June 3, 4, 9, 10 and 11, 2017 at Signature Theatre.

AOP/Lincoln Center Festival 2013 World Premiere of The Blind at  Stanley H. Kaplan Penthouse.

The two operas in the upcoming season will continue AOP’s close presenting partnership with UrbanArias, following last year’s new production of AOP’s As One the world premiere of the AOP-developed She After, and their 2012 world premiere of the AOP-developed Paul’s Case, a production that made its NYC premiere at the PROTOTYPE Festival in 2014. In addition to Lucy and The Blind, UrbanArias 2016-17 season includes Michael Nyman’s The Man Who Mistook His Wife For a Hat in October.


Monodrama LUCY: A MEMORY OPERA examines thin line between man and ape in Milwaukee World Premiere

October 9, 2014

After exciting collaborations with choreographers Dylan Crossman and Amber Sloan in Montreal and NYC earlier this fall, composer John Glover, librettist Kelley Rourke and director Erik Pearson will receive the world premiere of, Lucy: A Memory Opera  in November. Workshopped in 2010 by AOP at WNYC’s Greene Space, Lucy will receive it’s world premiere November 7-9, 2014, in Milwaukee, WI in a production by Milwaukee Opera Theater, who commissioned the work.

Inspired by true events, Lucy tells the story of psychologist Maurice Temerlin who, along with his wife Jane, adopted a day-old chimpanzee in the sixties. Naming her Lucy, their intention was to raise her “as much as possible as though she were a human being”. Lucy learned to dress herself, eat with silverware, make tea for guests, look at magazines, communicate through sign language and enjoy cocktails. As Temerlin struggles to hold on to memories of a happy, albeit unconventional, family life, documentation from the experiment challenges him to come to terms with the project’s ultimate consequences.

Unfolding in one 70-minute act, this intimate and confrontational one-man show is written for baritone Andrew Wilkowske, REDSHIFT Ensemble and pianist/music director Chris Zemliauskas. With a libretto from Kelley Rourke and projection designs and direction by Erik Pearson, Lucy promises to be a unique operatic experience.

Tickets to the Milwaukee world premiere are only $28 and may be purchased here.

Watch excerpts from the workshop performance at WNYC’s Greene Space, presented by American Opera Projects below:

Or watch an additional excerpt here

 


“Our Basic Nature” at Nautilus Music Theater

November 18, 2010

Audiences in St. Paul, Minnesota were given a walk on the wild side this past Monday and Tuesday evening, November 15th and 16th, when AOP’s First Chance Opera-In-Development “Our Basic Nature” was presented by Nautilus Music Theater as part of their “Rough Cuts” series.  With music by John Glover and libretto by Kelley Rourke, the performance featured baritone Andrew Wilkowske and pianist/music director Jocelyn Dueck.

The one-act monodrama, which is to be presented at The Greene Space in NYC on December 10th, is based on the memoirs of Maurice Temerlin, who in 1964 adopted a chimpanzee named Lucy and attempted to raise her as his own daughter.  In 2010, Lucy’s story also served as a one-hour Radiolab (WNYC) episode, “Radiolab Show 702- Lucy,” which the opera is based on.

No stranger to the radio waves, the story of Lucy was heard again by Minnesota Public Radio arts reporter Chris Roberts, who produced an audio assemblage about the production for a 4:51pm November 15th airing of All Thing Considered.  Listen here.


AOP Projects receive funding

August 6, 2010

Some major organizations have shown their support for new opera by funding several AOP upcoming projects. AOP gives great thanks to these contributors.

Semmelweis

Semmelweis – The Ensemble Studio Theatre/Alfred P. Sloan Foundation.  Funding for “credible and compelling work exploring the worlds of science and technology and to challenge the existing stereotypes of scientists and engineers in the popular imagination.” www.operaprojects.org/semmelweis

Our Basic NatureOur Basic Nature – Meet the Composer’s MetLife Creative Connections. “MetLife Creative Connections provides support for American composers to participate in public activities related to specific performances of their original music. By supporting the composer’s interaction with audiences, performers, arts organizations, and local communities, Metlife Creative Connections aims to increase public awareness and enhance the creative artist’s role in society.” www.operaprojects.org/ourbasicnature

DarklingDarkling – The Aaron Copland Fund for Music supporting the upcoming studio recording of Darkling. “The program’s objectives are to document and provide wider exposure for the music of contemporary American composers, to develop audiences for contemporary American music through record distribution and other retail markets, and to support the release and dissemination of recordings of previously unreleased contemporary American music…” www.operaprojects.org/darkling

And multi-year grants confirmed from the New York City Department of Cultural Affairs and the New York State Council on the Arts.

AOP applauds these recent grants and the continued support of our many individuals and fans. Please consider a donation today to join these important and necessary supporters of the arts.

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