Afternoon at NYC’s Poets House to feature libretto reading and music performance from The Leopard, based on famous Italian novel
NEW YORK, NY – AOP (American Opera Projects) and Poets House present a discussion with award-winning poet and librettist J. D. McClatchy followed by a reading of his latest opera libretto The Leopard, based on the acclaimed novel by Giuseppe Tomasi di Lampedusa and directed by James Robinson. The discussion will be joined by The Leopard‘s composer Michael Dellaira and will feature a performance of music from the opera-in-development and a mid-event reception with the artists. The event will take place on Saturday, November 8 at 3 PM at Kray Hall in Poets House (10 River Terrace, New York, NY 10282 in Battery Park City). Tickets are $10, $7 for students and seniors, free to Poets House members and can be purchased at www.poetshouse.org.
Commissioned and in development by AOP, The Leopard is the third opera from librettist J. D. McClatchy and composer Michael Dellaira, following The Secret Agent (2011) and The Death of Webern (2013). In their latest opera, the Prince of Salina, known as The Leopard because of his commanding personality, faces a society in upheaval during Garibaldi’s 1860 invasion of Sicily, and is forced to choose between decay and progress, between the downfall of the nobility and the future of his family. The completed opera will be in two acts.
Based on the internationally acclaimed 1958 novel Il Gattopardo by Giuseppe Tomasi di Lampedusa, The Leopard was also adapted into the 1963 film classic by Luchino Visconti starring Burt Lancaster and Claudia Cardinale.
ABOUT THE ARTISTS
J. D. McClatchy is the author of eight books of poems, most recently Plundered Hearts: New and Selected Poems (Knopf). He has written libretti for Francis Thorne’s Mario and the Magician (1994), Tobias Picker’s Emmeline (1996), Lorin Maazel’s 1984 (with Thomas Meehan, 2005), Lowell Liebermann’s Miss Lonelyhearts (2006), Ned Rorem’s Our Town (2006), Elliot Goldenthal’s Grendel (with Julie Taymor, 2006), Bernard Rands’s Vincent (2011), Daron Hagen’s Little Nemo in Slumberland (2012), Martin Bresnick’s My Friend’s Story (2013), and Tobias Picker’s Dolores Claiborne (2013). His work has been performed at the Metropolitan Opera, Covent Garden, La Scala, the Kennedy Center, San Francisco Opera, and other leading opera stages around the world.
James Robinson is regarded as one of America’s most inventive and sought-after stage directors. Artistic Director of Opera Theatre of Saint Louis, Robinson has staged productions for major opera companies, including New York City Opera, Santa Fe Opera, Houston Grand Opera, Washington National Opera, Welsh National Opera, Canadian Opera Company, San Francisco Opera, and Seattle Opera. Recent projects include the world premiere of Picker’s Dolores Claiborne for San Francisco Opera, the American premiere of Huang Ruo’s Dr. Sun Yat Sen for Santa Fe Opera and the world premiere of Champion.
Michael Dellaira is the composer of three operas. His first, Chéri, on a libretto by Susan Yankowitz, produced by The Actors Studio and directed by Tony-Award winner Carlin Glynn, was a finalist for the 2006 American Academy of Arts and Letters Richard Rodgers Award in Musical Theater. From 2006-2010 he was composer-in-residence with the Center for Contemporary Opera, which co-commissioned The Secret Agent, his first collaboration with J. D. McClatchy. The Death of Webern, also on a libretto by J.D. McClatchy, was commissioned by The Pocket Opera Players and premiered in October 2013.
ABOUT THE PRESENTERS
AOP‘s mission is to identify, develop and present new and innovative works of music theater by emerging and established artists and to engage our audiences in an immersive, transformative theatrical experience. At the forefront of the contemporary opera movement for a quarter-century, AOP creates, develops and presents opera and music theatre projects collaborating with young, rising and established artists in the field. AOP has produced over 30 world premieres, most recently Kaminsky/Reed/Campbell’s As One at BAM (2014), Nkeiru Okoye’s Harriet Tubman: When I Crossed That Line to Freedom (2014), and Lera Auerbach’s The Blind (2013), a co-production with Lincoln Center Festival. AOP-developed operas that premiered with co-producers include Gregory Spears’s Paul’s Case at PROTOTYPE (2014), Stephen Schwartz’s Séance on a Wet Afternoon at New York City Opera (2011), and Tarik O’Regan’s Heart of Darkness at London’s Royal Opera House (2011). www.operaprojects.org
Poets House is a national 60,000-volume poetry library, literary center for adults and children, and exhibition space that invites poets and the public to step into the living tradition of poetry. Poets House – through its poetry resources, literary events, and archival and poetry-related visual art exhibitions – documents the wealth and diversity of modern poetry and stimulates public dialogue on issues related to poetry in culture. Founded in 1985 by two-time Poet Laureate Stanley Kunitz and legendary arts administrator Elizabeth Kray, the library has created a home for all who read and write poetry. In 2009, Poets House moved into its permanent home, at 10 River Terrace in Battery Park City, on the banks of the Hudson River. For more information about these events and Poets House in general, visit poetshouse.org and join us on Facebook and Twitter.