Stephen Salters, Lori-Kaye Miller & More to Star in World Premiere of THE SUMMER KING at Merrill Auditorium, 5/8

April 3, 2014

Portland Ovations, in collaboration with the USM School of Music and American Opera Projects, Brooklyn, NY, presents the world premiere of The Summer King, an Opera on the Life of Josh Gibson, at Merrill Auditorium on Thursday, May 8th at 7:30 pm. The Summer King, composed by Portland resident Daniel Sonenberg, features a talented cast known for their performances around the world. The May 8th concert, an Ovations commission, is The Summer King‘s world premiere.

Daniel Sonenberg, associate professor and resident composer at USM, and a lifelong baseball fan, was drawn to the heartbreaking saga of Negro League ball and became especially interested in the great catcher Josh Gibson. The Summer King portrays the injustice Gibson suffered at the hands of baseball’s “Gentlemen’s Agreement” and also the thriving culture, characterized by black-owned teams, stadiums and taverns, nightlife and humor.

Sonenberg-5Composer Daniel Sonenberg

The cast – which includes singers and instrumentalists based in New York City, Boston, Washington DC, Maine, Brussels and Frankfurt – is led by maestro Steven Osgood, an assistant conductor at The Metropolitan Opera. Osgood also created and was artistic director for American Opera Project’s nationally recognized Composers & the Voice Workshop Series, where the first scene of The Summer King had its beginnings. Working closely with Osgood, Chicago native Lemuel Wade is directing the presentation. Wade brings an international, critically acclaimed career as a singer/dancer to his craft as a stage director.

gibsonpaintingStephen Salters, baritone, who has performed throughout Europe, the UK, Asia and the United States, will perform the role of Josh Gibson. Salters, who currently resides in Belgium, is well known to Boston audiences especially for his work in a variety of musical mediums including recital, oratorio, opera and orchestra soloist. Salters created the title role in Elena Ruehr’s Toussaint Before the Spirits for Opera Boston. He has also appeared at Tanglewood Opera National in Bordeaux.

Lori-Kaye Miller, mezzo-soprano, has performed with New York City Opera, and made her Carnegie Hall debut as a soloist with the New England Symphony Ensemble. Miller will perform the roles of Grace – Gibson’s lover in later years – as well as the Elder Barber’s Wife. Miller currently lives in Germany and is coming to the US specifically for the premiere presentation.

Kenneth Kellogg, bass, who has performed with Washington National Opera, Wolf Trap Opera and San Francisco Opera, will perform the role of Sam Bankhead, Gibson’s friend and teammate.

Supporting cast includes Jorell Willams as Younger Barber and Cool Papa Bell; Cameo Humes as Elder Barber and Gus Greenlee; Rishi Rane as Wendell Smith; Patrick Miller as Radio Announcer, Clark Griffith and Branch Rickey; Christian Figueroa as Scribe and Alcalde; Candice Hoyes as Helen Gibson and Hattie; Kyle Guglielmo as Calvin Griffith; Martin Bakari as Trash Talking Player and Double Duty Radcliffe.

Maine-based singers include the revered Malcolm Smith as Commissioner Landis; Virgil Bozeman as Judy Johnson; and Matthew LaBerge, Aaren Rivard and Joshua Witham as Mariachi Singers.

The Orchestra musicians reside in Maine, with the exception of Greg Simonds, who lives in Massachusetts. Over half of the musicians are on faculty at the University of Southern Maine. The Orchestra includes: Krysia Tripp, flute and piccolo; Thomas Parchman, clarinet, eb and bass clarinet; Barry Saunders, soprano and tenor saxophone; Wren Saunders, Bassoon and Contra Bassoon; Sophie Flood, horn; Elizabeth Rines, trumpet; Mark Tipton, trumpet; Tom Michaud, bass trombone; Greg Simonds, percussion; John Mehrmann, percussion; Anastasia Antonacos, piano; Robert Lehmann, violin; Ferdinand Liva, violin; Kimberly Lehmann, viola; Benjamin Noyes, cello; George Calvert, bass; Don Pride, guitar.

Two Maine choirs, Vox Nova Chamber Choir and the Boy Singers of Maine, will also perform in The Summer King. Vox Nova Chamber Choir, conducted by Dr. Shannon M. Chase, is comprised of 36-40 mixed voices from the Midcoast and Southern Maine musical communities. The Boy Singers of Maine Concert Choir, directed by Jesse Wakeman, consists of boys from Southern Maine who range in age from 8 through 14.

Tickets for The Summer King range from $32 to $38 for Ovations’ Members and $35 to $42 for the general public. A limited number of student tickets are available for $10. To purchase tickets visit www.portlandovations.org, call PortTIX at 207.842.0800 or go to the box office window at Merrill Auditorium.

Support for The Summer King is generously provided by the Center for Cultural Exchange Foundation, National Endowment for the Arts, the Maine Arts Commission, Fund for Performing Arts in Maine of the Maine Community Foundation, the Composer Assistance Program of New Music USA, and Margaret E. Burnham Charitable Trust. The Summer King is commissioned by Portland Ovations.


Baseball Opera “The Summer King” Scores NEA Grant

December 19, 2013

The National Endowment for the Arts (NEA) has announced that the University of Southern Maine has received an NEA Art Works grant for its upcoming May 2014 premiere of the baseball opera The Summer King, created by former C&V composer Daniel Sonenberg and developed by AOP.

"Broadway" Connie Rector (Franklin Westbrooks) looks in amazement at Josh Gibson's (Kenneth Overton) homer out of Yankee Stadium in an early AOP workshop of THE SUMMER KING.

“Broadway” Connie Rector (Franklin Westbrooks) looks in amazement at Josh Gibson’s (Kenneth Overton) homer out of Yankee Stadium in an early AOP workshop of THE SUMMER KING.

The Summer King follows the life and untimely death of “the Black Babe Ruth”, Negro League home run king Josh Gibson, in this new opera from composer/librettist Daniel Sonenberg and co-librettist Daniel Nestor. AOP will present a rare insight into the evolution of an opera with a full day of libretto readings, musical workshops, and an evening concert of scenes at OPERA America New Works Forum on January 15, 2014. 

From USM Newsletters:

Sonenberg, a University of Southern Maine (USM) associate professor of music at USM’s School of Music, has been notified that he is the recipient of a $15,000 National Endowment for the Arts grant in opera. His opera, titled “The Summer King,” will be performed in concert on May 8, 2014, at the Merrill Auditorium in Portland, Maine, in collaboration with Portland Ovations.

Scenes and excerpts from “The Summer King” already have been performed at Fort Worth Opera, the Brooklyn Conservatory of Music, the Manhattan School of Music and USM to excellent reviews.

In January 2014, the Opera America New Works Forum in New York City, in collaboration with the Brooklyn-based company American Opera Projects, will present a preview of “The Summer King” in a daylong series of events, including a libretto reading by actors, a piano-vocal performance of three scenes and then an orchestral performance of the same three scenes. Each of these events will be followed by discussion with the audience, which will consist of opera professionals from throughout the country….

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Read full article at the website of University of Southern Maine


The Summer King, Judgment of Midas, and Paul’s Case to be featured in the Spring

October 29, 2013
The Summer King, Judgment of Midas, and Paul's Case

The Summer King, Judgment of Midas, and Paul’s Case

OPERA America will be presenting The Summer King and Judgment of Midas as part of their New Works Forum, a series of showcases of works-in-progress and recent premieres. Now in its third year, the New Works Forum will take place January 12-15, 2014 in the Audition Recital Hall at the National Opera Center in New York City. Panel discussions will accompany performances and explore the developmental process.

The Summer King (music by Daniel Sonenberg, libretto by Sonenberg & Daniel Nester) covers the legacy of Negro League baseball player Josh Gibson. Dubbed “the black Babe Ruth”, Gibson was the second Negro League player to be inducted into the Baseball Hall of Fame. The opera explores the racial tensions surrounding black-owned teams and delves into the stadium culture of the 1930s. The Summer King will have its world premiere with Portland Ovations in May 2014.

Judgment of Midas (music by Kamran Ince, libretto by Miriam Seidel) takes as its starting point a series of mythical musical contests said to have taken place on Mount Tmolus, Turkey. Witnessed by King Midas, the contests pit the gods Pan and Apollo against each other in a struggle between ‘street’ music and ‘high’ music. Judgment of Midas had its world premiere in Milwaukee with Present Music in April, 2013.

The 2014 New Works Forum has been scheduled to coincide with PROTOTYPE Festival, presented by HERE and Beth Morrison Projects. Paul’s Case (music by Gregory Spears, libretto by Spears and Kathryn Walat), will be among the works featured at PROTOTYPE. Originating from AOP’s Composers and the Voice program, the opera follows the story of Paul, a high school dandy living in turn-of-the-century Pittsburgh who runs away to revel in the luxuries of New York’s Waldorf Astoria hotel.

Performances at the New Works Forum are only open to OPERA America members. Previous AOP operas featured at the forum include Heart of Darkness, The Golden Gate, and Wolf-in-Skins. PROTOTYPE Festival is open to the public.


Ugetsu libretto reading continues C&V 2008-09

October 23, 2008
Ugetsu

Ugetsu

Tomorrow, AOP will be holding its first libretto reading of Ugetsu, an opera-in-development by composer Michael Rose and librettist Emily Howard to be directed by little old me. If you were at the Composers & the Voice Six Scenes concert in 2003 then you heard a scene from Ugetsu then. I’m not sure how much has changed since then, but that’s something you can definitely ask Michael on Friday.

Michael was a composer during the first season of Composers & the Voice and we’re thrilled to have him bring his piece back with us for our current season of C&V that focuses on presenting works from our stable of 30 C&V composers. Not a bad collection! We paired with Mike just a week ago to present the first event in the C&V 08-09 calendar – Composers Up Close and Personal. There we saw C&V composers Ray Lustig, Daniel Sonenberg, Stefan Weisman, and Kala Pierson present works that first premiered at C&V, were later developed at AOP, and even some brand new music. C&V chair Tan Dun‘s “Pipa Concerto” was also performed.

Ugetsu is based on the 1953 Kenji Mizoguchi film Ugetsu monogatari (Tales of the Pale and Silvery Moon After the Rain) and is a ghost story about love or a love story about ghosts. And since it seems to be a requisite of this genre, there is pottery scene. A few actually. Mizoguchi is considered one of the greatest filmmakers of Japan and by coincidence the Criterion Collection released a box set of his works just this month. So come see the reading and then go home and watch the movies. I think you’ll be turning Japanese. I really think so.

The reading will be about an hour long followed by our discussion period where Michael and Emily will be able to get your feedback about what you just saw. Go to the events page to get your free tickets!


The Summer King scores in Brooklyn

October 22, 2007

Summer King Kenneth OvertonBrooklyn audiences got a taste of Daniel Sonenberg‘s baseball opera The Summer King at a series of staged workshops performed around the borough this summer. AOP took to the streets of St. Mark’s Place and the fields of Fort Greene Park and captured the eyes and ears of people from every walk of life, many of whom had never heard live opera before. Based on the life of the Negro League star player Josh Gibson (portrayed by Kenneth Overton, left), The Summer King began its development as an opera as part of AOP’s Composers & the Voice series in 2002. For a profile of the Brooklyn performances, check out the article by Heidi Waleson in The Wall Street Journal.


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