AOP receives OPERA America Innovation Grant to expand training programs

June 6, 2017

AOP is proud to announce that it has been awarded an Innovation Grant to expand its composer-librettist training curriculum to academic music-theater programs, serving as a potential model for other schools and conservatories.

AOP’s training curriculum was pioneered with the creation of Composers & the Voice in 2002. Conceived by C&V’s current Artistic Director Steven Osgood, AOP’s in-house training program will enter its ninth season in Fall 2017. C&V brings together emerging opera composers and librettists and professional opera singers in private workshops to learn the craft of writing for the operatic voice and stage. The curriculum was adapted by C&V composer alum Randall Eng in partnership with AOP in 2015 to create the Advanced Opera Lab for students in the NYU/Tisch Graduate Musical Theater Program. The Innovation grant will continue this trajectory by supporting the codification of a curriculum for schools and conservatories that rarely provide opportunities for learning composition for the voice. In addition, the grant will support the creation of six new site-specific works on the theme of “New York Stories” that will emerge out of the partnerships between AOP and these institutions.

AOP was one of 27 opera companies around the nation to receive Innovation grant awards from the organization. Launched last fall, OPERA America’s Innovation Grants support exceptional projects that have the capacity to strengthen the field’s most important areas of practice, including artistic vitality, audience experience, organizational effectiveness and community connections. These grants invest up to $1.5 million annually in OPERA America’s Professional Company Members, enabling organizations of all sizes to increase their commitment to experimentation and innovation, as well as contribute to field-wide learning.

“Thanks to the tremendous generosity of the Ann and Gordon Getty Foundation, our member companies receive support to pursue new thinking and experimentation — to expand the boundaries of their current practices and adapt to an ever-changing field,” stated Marc A. Scorca, president and CEO of OPERA America in the press release. “These grants benefit not only the recipients but the entire art form: Through the lessons gleaned from the funded initiatives, companies throughout North America will be able to borrow and adapt good ideas, spreading the learning field-wide.”

NYU/AOP Opera Lab Cast, Creators, Designers, and Instructors at the May 14 performances of their opera scenes. International House, NYC. Photo by Steven Pisano.

NYU/AOP Opera Lab “Final Round”. International House, NYC. Photo by Steven Pisano.


AMERICAN OPERA PROJECTS RECEIVES MAJOR GRANT FROM THE ANDREW W. MELLON FOUNDATION TO SUPPORT ARTISTIC INITIATIVES

September 10, 2014

BROOKLYN, NY, September 10, 2014 – American Opera Projects (AOP) is pleased to announce that it has been awarded a major grant from The Andrew W. Mellon Foundation.  The $200,000 grant, active through December 2016, will support artistic initiatives by AOP: the Composers & the Voice and First Chance programs. The primary focus of Composers & the Voice is to give composers and librettists extensive experience working collaboratively with singers on writing for the voice and contemporary opera stage. The First Chance program allows composers and librettists to hear their work, in part or in full, for the first time before an audience, and helps to develop new works for future performances by opera companies. By helping fund these and other upcoming American Opera Projects programs, the Mellon Foundation has ensured that AOP can continue to offer opportunities and insights to rising composers, librettists, and presenting institutions. AOP General Director Charles Jarden states, “we are grateful to The Andrew W. Mellon Foundation for this generous grant as it allows AOP to move forward with boldness and innovation. Our goal is to keep contemporary American opera vibrant.”

The seventh cycle of the Composers & the Voice (C&V) program will conclude this month with Six Scenes, a concert of opera scenes created in the program by this year’s fellows. Performances will be held on Friday, September 12 and Sunday, September 14 at 7:30 PM, at South Oxford Space in Fort Greene, Brooklyn, home of AOP.  Manhattan School of Music and UCLA Herb Alpert School of Music opera directors will be on hand to select scenes for further development at their respective conservatories.

Fellows from the seventh season of Composers & the Voice in a workshop session. Brooklyn, NY. Photo by Ted Gorodetzky

Fellows from the seventh season of Composers & the Voice in a workshop session. Brooklyn, NY. Photo by Ted Gorodetzky

In addition to the Mellon Foundation grant, AOP has recently received 2014-15 season general operating grants from New Music USA and the Amphion Foundation. New Music USA has contributed to AOP through the Cary New Music Performance Fund, which seeks out organizations that “demonstrate excellence in innovative new music programming and/or performances consisting primarily of new music by living composers, improvisers, sound artists or singer/songwriters working in any style or genre.” In addition, the Amphion Foundation has provided a grant to AOP reserved for those organizations with a “history of substantial commitment to contemporary concert music at a high level of excellence.” AOP Composer-in-Residence Laura Kaminsky notes that: “the commitment that all three of these organizations have made to AOP is critical, timely, and exciting. We are looking forward to shepherding the development of much exciting new music as a result.”

Since its founding in 1988, AOP has been a driving force behind the revitalization of contemporary opera and musical theater in the United States through its exclusive devotion to creating, developing, and presenting new American opera and music theatre projects. Throughout its existence AOP has striven to bring compelling and innovative opera to New York City and the United States, and with the help of these grants, that mission will continue.


Three AOP Composers Awarded Competitive Grant for Female Composers

April 3, 2014

OPERA America has announced the first round of recipients of its new program, Opera Grants for Female Composers. From among the 112 eligible applicants, an independent adjudication panel selected eight composers, including three AOP composers Laura Kaminsky, Sheila Silver, and Composers & the Voice alumna Kristin Kuster.

AOP-OPERA-America-Female-ComposersComposers Sheila Silver, Laura Kaminsky, and Kristin Kuster

The recipients have each been awarded $12,500 to support the development of their compositions which are listed below.

Anna Clyne: As Sudden Shut
Michelle DiBucci: Charlotte Salomon: Der Tod und die Malerin (Death and the Painter)
Laura Kaminsky: As One
Kristin Kuster: Old Presque Isle
Anne LeBaron: Psyche & Delia
Fang Man: Golden Lily
Sheila Silver: A Thousand Splendid Suns
Luna Pearl Woolf: THE PILLAR

AOP is currently developing Laura Kaminsky’s As One, scheduled to premiere at BAM in September 2014. Sheila Silver’s A Thousand Splendid Suns, based on the best-selling novel by Khaled Hosseini, will begin development at AOP in the 2014-15 season.

OPERA America has awarded nearly $13 million over 25 years to Professional Company Members in support of new American operas, but fewer than 5 percent of the organization’s grants supporting repertoire development have been awarded to works by female composers. Opera Grants for Female Composers provide support for the development of new operas by women, both directly to individual composers and to opera companies producing their work, advancing the important objective to increase diversity across the field.

Opera Grants for Female Composers, made possible through the generosity of The Virginia B. Toulmin Foundation, is a two-year project. In this first year, Discovery Grants identify, support and help develop the work of female composers writing for the operatic medium, raising their visibility and promoting awareness of their compositions. In addition to financial assistance, grant recipients will be introduced to leaders in the field through a feature in Opera America Magazine, and at future New Works Forum meetings and annual conferences. Supported works will be considered for presentation as part of the New Works Forum in January 2015 and New Works Samplers at future annual conferences. The second year of the Opera Grants for Female Composers program will focus on Commissioning Grants. These awards will help support the commissioning and production of works by talented women. Details for this segment of the program will be announced later in 2014. The independent adjudication panelists for the Discovery Grant cycle included vocal coach-consultant Susan Ashbaker, composer Douglas Cuomo, director Robin Guarino, composer David T. Little, mezzo-soprano Susanne Mentzer, and composer/librettist Gene Scheer.

(from the press release)


AOP Projects receive funding

August 6, 2010

Some major organizations have shown their support for new opera by funding several AOP upcoming projects. AOP gives great thanks to these contributors.

Semmelweis

Semmelweis – The Ensemble Studio Theatre/Alfred P. Sloan Foundation.  Funding for “credible and compelling work exploring the worlds of science and technology and to challenge the existing stereotypes of scientists and engineers in the popular imagination.” www.operaprojects.org/semmelweis

Our Basic NatureOur Basic Nature – Meet the Composer’s MetLife Creative Connections. “MetLife Creative Connections provides support for American composers to participate in public activities related to specific performances of their original music. By supporting the composer’s interaction with audiences, performers, arts organizations, and local communities, Metlife Creative Connections aims to increase public awareness and enhance the creative artist’s role in society.” www.operaprojects.org/ourbasicnature

DarklingDarkling – The Aaron Copland Fund for Music supporting the upcoming studio recording of Darkling. “The program’s objectives are to document and provide wider exposure for the music of contemporary American composers, to develop audiences for contemporary American music through record distribution and other retail markets, and to support the release and dissemination of recordings of previously unreleased contemporary American music…” www.operaprojects.org/darkling

And multi-year grants confirmed from the New York City Department of Cultural Affairs and the New York State Council on the Arts.

AOP applauds these recent grants and the continued support of our many individuals and fans. Please consider a donation today to join these important and necessary supporters of the arts.

Donate to AOP


Alvin Singleton receives grant to develop new work with AOP

July 10, 2008
Composer Alvin Singleton

Composer Alvin Singleton

AOP is proud to announce that Meet the Composer has awarded AOP and composer Alvin Singleton a “Creative Connections” grant for Singleton’s participation in the development and outreach programming of a newly commissioned work. The work, a dramatic oratorio for chamber orchestra and chorus with a commissioned text by author Patricia Hampl, is about the 100 year-old Prison Ship Martyrs Monument in Fort Greene Park, Brooklyn. The commission has been paid by The Fort Greene Park Conservancy, with funds raised through a consortium of organizations, city, state and private donations.

AOP will partner with these organizations to develop the work, building national and community awareness about the subject in advance of the November 2008 rededication of the Monument.


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