NYU Tisch, the Brooklyn Museum, and American Opera Projects to present 11 Mini-Operas based on Judy Chicago’s iconic feminist artwork The Dinner Party

May 8, 2018

Judy Chicago (American, born 1939). The Dinner Party, 1974–79. Ceramic, porcelain, textile, 576 × 576 in. (1463 × 1463 cm). Brooklyn Museum, Gift of the Elizabeth A. Sackler Foundation, 2002.10. © Judy Chicago. (Photo: Donald Woodman)

The Dinner Party Operas
Short operas inspired by Judy Chicago’s The Dinner Party
A collaboration between NYU’s Tisch School of the Arts, American Opera Projects, and the Brooklyn Museum

Wednesday, May 23 | 7:30 PM – Program A
GMTWP Black Box Theatre, NYU Tisch
715 Broadway, 2nd Floor, NY, NY 10003

Sunday, May 27 | 2:00 PM – Program B
Iris and B. Gerald Cantor Auditorium at the Brooklyn Museum
200 Eastern Parkway, Brooklyn, NY 11238

 

February 28, 2017

NEW YORK, NY – The Dinner Party Operas, a showcase of eleven original mini-operas inspired by Judy Chicago’s iconic feminist installation The Dinner Party, a multi-media work housed in the Brooklyn Museum, will be presented this May in New York City by the NYU Tisch Graduate Musical Theatre Writing Program (GMTWP), the Brooklyn Museum, the NYU Tisch Department of Design for Stage & Film and American Opera Projects (AOP). Six of the operas will be performed on Wednesday, May 23 at 7:30 p.m. at NYU Tisch’s GMTWP Black Box Theatre, located in Manhattan at 715 Broadway, between Washington and Waverly places, on the second floor. The remaining five operas will be performed on Sunday, May 27 at 2:00 p.m. at the Iris and B. Gerald Cantor Auditorium at the Brooklyn Museum, 200 Eastern Parkway, Brooklyn, NY 11238. Each under 15-minutes long, the operas were written and composed by students in the NYU Tisch GMTWP Opera Lab and will be performed by professional opera singers with piano accompaniment. The Dinner Party Operas is free with advance registration (May 23) or museum admission (May 27) and open to the public. To reserve tickets for the May 23 performance at NYU, email tisch.ipa@nyu.edu. Complete info at www.aopopera.org.

The Dinner Party Operas is the most recent production of Tisch GMTWP’s Opera Lab program, through which students write, compose, develop, and design original operas performed by professional opera singers. Opera Lab was started in 2015 by GMTWP professor Randall Eng with Design Dept. professor Sam Helfrich, and is open to both students and alumni. In previous years, the program’s mini-operas were created on the subjects of Brooklyn’s historic Fort Greene Park and New York City’s International House, which houses and supports international students and entrepreneurs from around the world.

The Dinner Party, an important icon of 1970s feminist art and a milestone in twentieth-century art, is presented as the centerpiece around which the Brooklyn Museum’s Elizabeth A. Sackler Center for Feminist Art is organized. The Dinner Party comprises a massive ceremonial banquet, arranged on a triangular table with a total of thirty-nine place settings, each commemorating an important woman from history. The settings consist of embroidered runners, gold chalices and utensils, and china-painted porcelain plates with raised central motifs that are based on vulvar and butterfly forms and rendered in styles appropriate to the individual women being honored. The names of another 999 women are inscribed in gold on the white tile floor below the triangular table. This permanent installation is enhanced by rotating Herstory Gallery exhibitions relating to the 1,038 women honored at the table. The pharaoh Hatshepsut; the medieval nun, composer, scientist, and prophetess Hildegard von Bingen; and writer Emily Dickinson are just three of the famous women from Judy Chicago’s art installation who serve as muses for this year’s operas.

“The Dinner Party contains a multitude of stories, and was created in part to encourage viewers to investigate those stories,” said Eng. “In these operas, the students have done exactly that, as they transform the visual and historic into music and theatre. Some of the operas celebrate moments in the lives of specific women, while others confront the work as a whole, and it’s been a joy to see the range of operatic responses—from comic farce to meditative reflection to heightened tragedy to impassioned critique.”

In addition to Profs. Eng and Helfrich, NYU Tisch’s GMTWP Opera Lab is led by Music Directors Mila Henry and James Lowe, who will provide piano accompaniment for the performances. Stage directors and designers from the NYU Tisch Graduate Department of Design for Stage and Film will stage the works in Program A under the guidance of Prof. Helfrich. Luke Leonard will direct the Program B operas.

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Fort Greene Park to be commemorated in student operas in new AOP and NYU Tisch partnership

February 19, 2016

Randall Eng, composer and Assistant Arts Professor at Tisch’s Graduate Musical Theatre Writing Program

By the end of this spring, one of New York City’s most historic and vibrant neighborhoods will be commemorated in song. And not just one song, but an entire series of new operas. This spring, students in the Graduate Musical Theatre Writing Program (GMTWP) at New York University’s Tisch School of the Arts will learn the ins and outs of opera writing when Brooklyn’s American Opera Projects (AOP) partners with the esteemed arts school for a new “Opera Writing Workshop.”  Led by composer Randall Eng, the workshop is an advanced class for composers and librettists of GMTWP at Tisch who will collaborate with an ensemble of eight professional opera singers and two music directors to create short operas under the mentorship of AOP, an opera company in Fort Greene that has developed and premiered contemporary operas for over 25 years.

For the inaugural workshop, AOP and Eng have assigned the students to create operas inspired by the Brooklyn neighborhood Fort Greene and the historic Fort Greene Park, the latter of which has been home to a graveyard of Revolutionary War soldiers as well as a source of inspiration for writers Richard Wright and Marianne Moore and filmmaker Spike Lee. In addition to the musical team, AOP will provide the students with special access to staff from NYC Parks and Fort Greene Park Conservancy.  NYU associate professor and opera director Sam Helfrich will direct the AOP workshop singers in the site-specific scenes being created with the participation of his design students in Tisch’s Design for Stage and Film Department. The operas will be performed in conjunction with American Opera Projects at GMTWP’s Black Box Theatre on May 7, 2016 and in Fort Greene Park itself on May 8, 2016.

AOP General Director Charles Jarden stated, “In this partnership with NYU, AOP is broadening our mission to help mentor creators of opera and music theater work by attracting grad students at one of the best schools in the country.  This project is a great complement to one of our core programs, Composers & the Voice and Randall Eng is one of the alums of that program, which makes the partnership especially valuable and gratifying for us.  We are deeply grateful to The Andrew W. Mellon Foundation and to the NYC Department of Cultural Affairs for on-going generous support.”

As of February 1st there are twenty-five (25) students enrolled in the class.

Crowds gather in Fort Greene Park, Brooklyn’s first park and subject for NYU’s Opera Writing Workshop composers.


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