“Startling,” “gripping” THE ECHO DRIFT finishes “virtuoso” run at Prototype Festival

January 26, 2018

On January 20, the world premiere of THE ECHO DRIFT, with music by Mikael Karlsson, libretto by Elle Kunnos de Voss & Kathryn Walat, directed by Mallory Catlett and conducted by Nicholas DeMaison completed its six-performance run at Baruch Performing Arts Center in New York City as part of the 2018 Prototype Festival. Mezzo-soprano Blythe Gaissert starred as a convicted murderer trapped in a timeless prison and is unexpectedly befriended by a moth (actor John Kelly) with an offer of a perceived way to freedom. The experimental chamber opera, performed by members of ICE Ensemble and enhanced by electronic soundscape and animation, was enthusiastically received by both audiences and critics alike.

Blythe Gaissert as Walker Loats in The Echo Drift

“a startling science fiction conceit kickstarted the gripping one-act The Echo Drift. In this world premiere work, an inmate in a futuristic prison gets a visit from a talking moth that tries to persuade her than she can escape by rejecting her conventional sense of time and space. Everything about this presentation was virtuoso, from the psychedelic snarls and slithers in composer Mikael Karlsson’s orchestra writing to the sly, ironic whispers of actor John Kelly as the Moth. But the heart of the piece was the bravura singing of Blythe Gaissert as the panicky prisoner, her smoky mezzo biting into the wide-ranging and relentless vocal part with the violent abandon of a starving shark.” – The Observer

Stark and intricate, propulsive and a little film-noir, “The Echo Drift” is most exciting when it is fast and cacophonous, nearly overwhelming the senses.” – The New York Times

a totally original and stunning, immersive piece… with a scintillating score composed by Mikael Karlsson, and a brilliant environmental production by Elle Kunnos de Voss in their first collaboration. … Gaissert is wonderful as Loats, giving herself over totally to the fantasy world that the creators have presented to her, more than holding her own vocally in the powerful and audacious orchestral setting–by turns jazzy, acoustic, electronic, melodic, atonal, soothing, blasting–that the composer has devised.” – Broadway World

“seventy immersive minutes of six-channel surround sound and projected animations … The score was modest, absorbing, and lush …  For a story about a convicted murderer in solitary confinement, The Echo Drift is surprisingly accessible and apolitical. … Gaissert and Kelly fully embraced the sophisticated score and meta set, and The Echo Drift balanced an immersive multidimensional experience with a refreshing affirmation of human solidarity.” – I Care If You Listen

“Nicholas DeMaison conducted with unwavering clarity, helped by seven superb musicians from the International Contemporary Ensemble. Levy Lorenzo’s electronics wizardry—effectively an eighth instrument—creates unusually vivid textures, such as the complex, machine-like chords repeated near the end, tolling like otherworldly bells. … It is hard to sufficiently praise soprano Blythe Gaissert as Loats, singing tirelessly over the course of the opera’s 70 minutes.” – Musical America

“The Echo Drift struck an admirable balance between evocative score and creative composition, and is easily worthy of a pure listen without the staging. Karlsson’s subtle but crucial electronic elements were particularly noteworthy, threading through the live performers with magnetic textures… singers and musicians alike made this small chamber opera a grand production.” – Seen and Heard International

In a tension-filled final day, Gaissert took ill and made the difficult decision not to perform. Her cover Kathryn Krasovec stepped in with only a few hours of rehearsal under her belt and gave a powerful performance that captivated the audience on the opera’s final night.

The Echo Drift was commissioned, developed and produced by Beth Morrison Projects, HERE, and American Opera Projects. The Echo Drift was originally developed by Mikael Karlsson and Elle Kunnos de Voss in a full-length workshop presented by the Embassy of Sweden in Washington DC in 2014. Additional development was provided through the Opera Genesis Fellowship, a residency at the Hermitage Artist Retreat, made in partnership with American Opera Projects.

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“And Death Shall Have No Dominion” comes to New York

June 18, 2014

And Death Shall Have No DominionThis Saturday, June 21, Composer Pete M. Wyer brings his piece “And Death Shall Have No Dominion” to New York in celebration of the centenary of Dylan Thomas’ birth. “And Death” is a participatory singing event for a synchronized headphone choir. People of all ages are invited to join. Participants do not need to be able to read music or have choral experience, and can sing in groups or by themselves. Using a new, free app (SusSync) that plays the accompaniment and synchronizes their mobile devices, participants will take a 45-minute mapped-out journey through lower Manhattan singing the words of Thomas, creating a moving tapestry that will eventually converge outside Poets House in Rockefeller Park.

Live accompaniment will be provided by the Asphalt Orchestra, a 12-piece ensemble that takes music from concert halls, rock clubs, and jazz basements to the streets and beyond. Feature vocalists include soprano Eleanor Taylor, mezzo Kathryn Krasovec, tenor Glenn Seven Allen, and baritone David Schmidt.

“And Death” commences at 11:00 am on Saturday, June 21 in various locations and converges at Rockefeller Park (Battery Park City) at 11:45 am. The event is being co-presented by the Lower Manhattan Cultural Council, Make Music New York, and Poets House in association with American Opera Projects as part of the River To River Festival 2014.

For more information and to register, please go to http://makemusicny.org/summer-schedule/2014/features/downtown-sound/and-death-shall-have-no-dominion/

READ

the interview with Pete M. Wyer in THE HUFFINGTON POST

LISTEN

to the ADSHND profile on John Schaefer’s WNYC program NEW SOUNDS

WATCH

Pete M. Wyer’s video tour of And Death Shall Have No Dominion


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