Funny, sexy MODEL LOVE to premiere at Lincoln Center w NORA by its side

September 16, 2011

J. David Jackson's MODEL LOVE premieres October 2. IMAGE: Erik and Julie, NYC, 2006, Photograph by Skye Parrott

On Sunday, October 2, 4pm and 7:30pm, American Opera Projects will present the world premiere of Model Love, a humorous staged song-cycle about contemporary relationships with jazz and rock elements by composer J. David Jackson based on texts by British comedian Henry Normal, and the one-act opera monodrama Nora, In the Great Outdoors, music by Daniel Felsenfeld and libretto by Will Eno, that continues the final scene of Henrik Ibsen’s A Doll’s House moments after Nora abandons her family. The event will be held at Lincoln Center’s Stanley H. Kaplan Penthouse. Tickets are $25, $50 for VIP reserve seating, available at www.operaprojects.org.

“Fun, energetic and curious song cycle interested in M-M-W threesome. R U what I M looking 4?” Model Love is a 30-minute song cycle fusing contemporary art song with blues, jazz ,and rock set for three singers (mezzo-soprano Rosalie Sullivan, baritone Gregory Gerbrandt, and tenor Jeremy Little) chamber orchestra and rock band. Based on texts from Nude Modelling for the Afterlife by BAFTA award winning poet/comedian Henry Normal with music by J. David Jackson, Model Love mixes musical styles and genres in a way that humorously (and accurately) represents the variegated emotions and situations of contemporary love affairs. J. David Jackson conducts.

Nora, In the Great Outdoors

Kirsten Chambers will sing the title role in the Felsenfeld/Eno monodrama

Using an icy climate crossed with a fragile-yet-eruptive emotional state of mind as musical grist, Nora, In the Great Outdoors is a take on the ending of Ibsen’s seminal “A Doll’s House,” especially its famous final stage direction, the first collaboration between composer Daniel Felsenfeld and playwright Will Eno. The monodrama takes over immediately where Ibsen leaves off, when the heroine abandons her family, her marriage her security, and perhaps the most famous slammed door in the history of drama. Commissioned by American Opera Projects, Nora, In the Great Outdoors, is a monodrama for soprano and piano trio and will star Kirsten Chambers in the title role. Keith Chambers conducts.


PRESS REVIEWS: “Clear, appealing score” of Golden Gate “not only eminently singable but effective.”

January 22, 2010
Golden Gate workshop photo from NY Times

“The Golden Gate”: David Adam Moore and Katrina Thurman in the Rose Studio at Lincoln Center. Photo: Rachel Papo for The New York Times

January’s sold-out workshop of Conrad CummingsThe Golden Gate at the Rose Studio in Lincoln Center garnered positive reviews from The New York Times and Musical America. Steven Osgood conducted a cast directed by John Henry Davis that included David Adam Moore, Hai-Ting Chinn, Katrina Thurman, Kevin Burdette, and Keith Jameson.

Steve Smith at The New York Times remarked, “In creating an opera based on [Vikram] Seth’s novel, the composer Conrad Cummings has fashioned an equally improbable fusion: lithe melodic lines that flow and entwine in the manner of Monteverdi, peppered with musical references to Henry Mancini and the punk band Black Flag.” “The singers…offered rich, engaged performances. Constantly shifting between firsthand declamation and third-person observation, they achieved a gabby intensity more often encountered in Stephen Sondheim’s musicals than in the opera house.” Read full review

At Musical America, Patrick Smith praised the composer, stating that “Cummings has always had a gift for opera, and his vocal line is not only eminently singable but effective in giving the accompaniment a feeling of being complimentary rather than at odds with the voices. And, like all good opera composers, his music-making keeps the dramatic impetus moving.” Read full review


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