Monodrama LUCY: A MEMORY OPERA examines thin line between man and ape in Milwaukee World Premiere

October 9, 2014

After exciting collaborations with choreographers Dylan Crossman and Amber Sloan in Montreal and NYC earlier this fall, composer John Glover, librettist Kelley Rourke and director Erik Pearson will receive the world premiere of, Lucy: A Memory Opera  in November. Workshopped in 2010 by AOP at WNYC’s Greene Space, Lucy will receive it’s world premiere November 7-9, 2014, in Milwaukee, WI in a production by Milwaukee Opera Theater, who commissioned the work.

Inspired by true events, Lucy tells the story of psychologist Maurice Temerlin who, along with his wife Jane, adopted a day-old chimpanzee in the sixties. Naming her Lucy, their intention was to raise her “as much as possible as though she were a human being”. Lucy learned to dress herself, eat with silverware, make tea for guests, look at magazines, communicate through sign language and enjoy cocktails. As Temerlin struggles to hold on to memories of a happy, albeit unconventional, family life, documentation from the experiment challenges him to come to terms with the project’s ultimate consequences.

Unfolding in one 70-minute act, this intimate and confrontational one-man show is written for baritone Andrew Wilkowske, REDSHIFT Ensemble and pianist/music director Chris Zemliauskas. With a libretto from Kelley Rourke and projection designs and direction by Erik Pearson, Lucy promises to be a unique operatic experience.

Tickets to the Milwaukee world premiere are only $28 and may be purchased here.

Watch excerpts from the workshop performance at WNYC’s Greene Space, presented by American Opera Projects below:

Or watch an additional excerpt here

 


MIDAS composer strikes gold with Arts and Letters Award

March 7, 2013

Last Friday, The American Academy of Arts and Letters announced  AOP composer Kamran Ince  (pictured) as one of four composers who will receive a $7500 Arts and Letters Award in Music, which honors outstanding artistic achievement and acknowledges the composer who has arrived at his or her own voice.  Each will receive an additional $7500 toward the recording of one work.  The winners were selected by a committee of Academy members:  Ezra Laderman (chairman), Samuel Adler, David Del Tredici, John Harbison, Tania Leon, Fred Lerdahl, and Joan Tower.   The awards will be presented at the Academy’s annual Ceremonial in May.  Candidates for music awards are nominated by the 250 members of the Academy.

From the Academy’s press release:

The energy and rawness of Turkish and Balkan music, the spirituality of Byzantium and Ottoman music, the tradition of European art music and the extravert and popular qualities of the American psyche are the basis of Kamran Ince’s sound world. These ingredients happily breathe in cohesion as they spin the linear and vertical contrasts so essential to his works. Ince is Professor of Composition at University of Memphis and at MIAM, Istanbul Technical University. His prizes include the Rome Prize, a Guggenheim Fellowship, and the Lili Boulanger Prize. Five recent Naxos CD’s are devoted to his music.

Present Music and Milwaukee Opera Theatre will premiere his opera, Judgment of Midas, in April, 2013.  Judgment of Midas was developed in American Opera Projects‘ First Chance program with funding from The Andrew W. Mellon Foundation.


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