Hermitage Artist Retreat and American Opera Projects award Opera Genesis fellowships for 2017-18 season

November 16, 2017

 

The second Opera Genesis Fellowships to composer Joseph Rubinstein and librettist Jason Kim will support the creation of a new opera “Legendary”

Composer Joseph N. Rubinstein and librettist Jason Kim at a 2015 American Opera Projects workshop of their opera Legendary. Photo by Steven Pisano.

The Hermitage Artist Retreat in Englewood, FL and New York City’s American Opera Projects (AOP) announce the second Opera Genesis Fellowships to composer Joseph N. Rubinstein and librettist Jason Kim.

The award includes a six-week Hermitage residency, in which these two artists will work on their new opera Legendary, about the drag balls of the 1980s in New York City. The Opera Genesis Fellowship awards are presented annually to artists who have completed training in AOP’s Composer & the Voice (C&V) training program which helps to develop contemporary American opera.

The first fellowships were awarded to the creative team of Mikael Karlsson and co-librettist and visual designer Elle Kunnos de Voss along with co-librettist Kathryn Walat. Their opera, The Echo Drift, on which they worked during their time at the Hermitage, will premiere at the Prototype Festival in January at Baruch Performing Arts Center, New York City.

Hermitage Executive Director Bruce E. Rodgers remarked that “seeing the program come into being with the announcement of the first recipients was very exciting. We exist to inspire and assist artists in the creation of new work. AOP takes it to the next level so that the work can be presented to the public. We are now seeing the fruition of the first fellowship with the world premiere of The Echo Drift, and are eagerly looking forward to welcoming Joe and Jason.”

Charles Jarden, General Director of American Opera Projects, noted, “seeing how much the development of The Echo Drift benefited from the creators’ time at the Hermitage makes me eager to see what new ideas will be sparked when Joe and Jason find their way there this coming year. With so much faith in these two creative artists, AOP is now in the early stages of negotiation about where Legendary will be brought to its full production in an upcoming season.”

American Opera Projects’ Composers & the Voice is a two-year fellowship for composers and librettists which provides experience working collaboratively with singers on writing for the voice and opera stage. This free training includes a year of working with the company’s resident ensemble of singers and artistic team, followed by a year of continued promotion and development through AOP and its strategic partnerships. Launched in 2002, C&V has fostered the development of sixty-three composers & librettists. Alumni works that went through AOP’s opera development program and continued to a world premiere include Love/Hate (ODC/San Francisco Opera 2012, Jack Perla), Paul’s Case (UrbanArias 2013, Gregory Spears), and The Scarlet Ibis (Prototype 2015, Stefan Weisman). AOP’s C&V program is generously supported by a multi-year award from The Andrew W. Mellon Foundation.

 

ABOUT THE NEW FELLOWS

Joseph N. Rubinstein grew up in Newport News, VA and currently lives in New York City. Joseph’s music is often concerned with dramatic narrative and character, and has been presented by Fort Worth Opera Festival, The Manhattan School of Music Opera Theater, Triad: The Boston Choral Collective, American Opera Projects, The Holy Cross Chamber Singers, The Secret Opera, bass-baritone Matthew Burns at the Spoleto Festival USA, Boston Metro Opera, C4, the Society for New Music, and the Young New Yorker’s Chorus, among others. Recent performances include scenes from Legendary in a 2017 workshop by American Opera Projects, scenes from Legendary on Fort Worth Opera Festival’s 2016 “Frontiers” program, the premiere of “Birthday Song” on Sparks and Wiry Cries inaugural songSLAM, and a new choral work as part of Novi Cantori’s 2017 Composers Forum.  In 2016, he was a fellow in New Dramatists’ Composer-Librettist Studio.  Select works are published by See-A-Dot Music and recorded on 4Tay Records.  He studied music at Columbia University (BA) and The Juilliard School (MM).

Jason Kim is a Korean-born dramatist based in New York City. His immersive musical KPOP recently completed a critically acclaimed sold-out run at Ars Nova Theater. His play The Model American opened the Nikos Stage at the 2017 Williamstown Theatre Festival. His work has been presented at Ma-Yi, Keen Company, Naked Angels, The Flea, Kennedy Center for the Performing Arts, Washington National Opera, Fort Worth Opera, Manhattan School of Music, Spoleto Festival, Opera America, and others. He is an IFP—Marcie Bloom Fellow in Film, a Screenwriters Colony Fellow, a Paul & Daisy Soros Fellow for New Americans, and a Librettist Fellow in American Opera Project’s Composers & The Voice. He is a member of the Ma-Yi Writers Lab and Ars Nova’s Uncharted. He is currently LCT3’s Resident Writer. In television, he has written for HBO’s Girls and Fox’s Gracepoint and has adapted The Middlesteins for Showtime. He is also a Consulting Producer for Love on Netflix. BA Columbia University, MFA New School for Drama. www.waytooserious.com

About the Hermitage Artist Retreat

The Hermitage is a not-for-profit artist retreat located at 6660 Manasota Key Road in Englewood, FL.  It invites accomplished painters, sculptors, writers, playwrights, poets, composers and other artists from all over the world for residencies on its beachfront historic campus. Artists are asked to contribute two services to the community during their stay and as a result, Hermitage artists touch thousands of Gulf Coast community residents with unique and inspiring programs each year. In addition, the Hermitage awards and administers the prestigious Greenfield Prize, an annual $30,000 commission for a new work of art, rotating among three disciplines: visual art, music and drama. The Hermitage also partners with the Aspen Music Festival and School to award the annual Hermitage Prize to a composition student during the Festival. For more information about The Hermitage Artist Retreat, call 941-475-2098 or visit the website at www.HermitageArtistRetreat.org.

About American Opera Projects

At the forefront of the contemporary opera movement for a quarter-century, AOP creates, develops and presents opera and music theatre projects collaborating with young, rising and established artists in the field. AOP has been a producer on over 30 world premieres, including Kaminsky/Reed/Campbell’s As One (BAM 2014), Lera Auerbach’s The Blind (Lincoln Center Festival 2013), Davis/Pelsue’s Hagoromo (BAM 2015 Next Wave Festival), a dance opera starring Wendy Whelan and Jock Soto, and Paterson/Cote’s Three Way (Nashville Opera and BAM 2017).  www.aopopera.org

AOP Contact: Matt Gray, AOP Producing Director, 718-398-4024, mgray@operaprojects.org

Hermitage Contact: Lisa Rubinstein, lisa@LDRcreative.com or 941-587-3396

Press material is available at: http://aopopera.org/press

 

 

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Announcing the winners of the 2017-19 Composers & the Voice fellowships!

July 20, 2017

AOP (American Opera Projects) and Composers & the Voice Artistic Director Steven Osgood have selected six composers and three librettists to receive fellowships for its upcoming ninth season of Composers & the Voice. The 2017-2019 season will train, and present new works from, composers Matthew Browne, Scott Ordway, Frances Pollock, Pamela Stein LyndeAmber Vistein, and Alex Weiser and librettists Laura Barati, Kim Davies, and Sokunthary Svay. The primary focus of Composers & the Voice is to give emerging composers and librettists experience working collaboratively with singers on writing for the voice and contemporary opera stage.

 

“The philosophy of Composers & the Voice since its beginning has been that by immersing composers and librettists in hands-on work with skilled singers and music directors, we empower them to create groundbreaking works that are true to each of their artistic languages,” says Osgood.  “Composers rarely have the opportunity to work with opera singers during their training, and C&V was designed to address this void. I could not be prouder of the commissions and premieres that have flowed to the alumni of C&V.”

The fellows were chosen from an extensive pool of applicants by a panel made up of C&V and AOP staff and professional artists that included Osgood, AOP General Director Charles Jarden, AOP Producing Director/C&V Head of Drama Matt Gray, C&V Head of Music Mila Henry, librettist Sara Cooper, singer Amy van Roekel, and composers Conrad Cummings, Jeremy Gill, Jennifer Griffith, Laura Kaminsky, Kristin Kuster, and Gregory Spears.

The Composers & the Voice fellowships include a year of working with the company’s Resident Ensemble of Singers and Artistic Team, over 45 hours of “Skill-Building Sessions” of acting courses with director Mary Birnbaum (Die Zauberflöte at Juilliard), theatrical improvisation led by Terry Greiss (Co-Founder, Ensemble Actor, Executive Director of Irondale Ensemble Project), and libretto development with Libretto Writing Instructor Mark Campbell (Silent Night, The (R)evolution of Steve Jobs, As One), and two public concerts of new works. This is followed by a year of continued promotion and development through AOP and its strategic partnerships.

Composers Ricky Ian Gordon (27, The Grapes of Wrath), David T. Little (Dog Days, JFK), Missy Mazzoli (Breaking the Waves, Songs From the Uproar), Tobias Picker (An American Tragedy, Emmeline), Stephen Schwartz (Wicked, Godspell), and Gregory Spears (Fellow Travelers, Paul’s Case), and librettists Gene Scheer (Cold Mountain, Moby Dick) and Royce Vavrek (Dog Days, JFK) will serve as the upcoming season’s “Artistic Chairs,” each of whom are assigned a fellow, providing one-on-one artistic advice and career guidance.

Support for AOP’s Composers & the Voice program is provided in part by a grant from The Andrew W. Mellon Foundation.

Bios of C&V fellows, singers, instructors, and music directors available at www.aopopera.org/composers_voice/2017-19.html

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Art Opening for a New Opera

February 10, 2017
Thursday, February 9, 2017

Art Opening for a New Opera

Rebecca Allan, Orange Mesa/Medanales, 2016, acrylic on paper, 15 x 17 inches

Rebecca Allan, Orange Mesa/Medanales, 2016, acrylic on paper, 15 x 17 inches

Following a snow-bound day, a crowd of arts and opera enthusiasts gathered at Meredith Ward Fine Art at 44 East 74 Street for the opening of Rebecca Allan‘s solo show, Rain in the Arroyo. Sales of paintings will support Brooklyn’s American Opera Projects and San Francisco’s Opera Parallèle in launching Today It Rains, a new opera about artist Georgia O’Keeffe by the creative team Laura Kaminsky, Mark Campbell and Kimberly Reed that also created the most frequently performed contemporary opera in America in the past two years, As One. American Opera Projects is currently developing 28 new operas by contemporary composers. The exhibition continues through February 11.

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