Hermitage Artist Retreat and American Opera Projects award Opera Genesis fellowships for 2017-18 season

November 16, 2017

 

The second Opera Genesis Fellowships to composer Joseph Rubinstein and librettist Jason Kim will support the creation of a new opera “Legendary”

Composer Joseph N. Rubinstein and librettist Jason Kim at a 2015 American Opera Projects workshop of their opera Legendary. Photo by Steven Pisano.

The Hermitage Artist Retreat in Englewood, FL and New York City’s American Opera Projects (AOP) announce the second Opera Genesis Fellowships to composer Joseph N. Rubinstein and librettist Jason Kim.

The award includes a six-week Hermitage residency, in which these two artists will work on their new opera Legendary, about the drag balls of the 1980s in New York City. The Opera Genesis Fellowship awards are presented annually to artists who have completed training in AOP’s Composer & the Voice (C&V) training program which helps to develop contemporary American opera.

The first fellowships were awarded to the creative team of Mikael Karlsson and co-librettist and visual designer Elle Kunnos de Voss along with co-librettist Kathryn Walat. Their opera, The Echo Drift, on which they worked during their time at the Hermitage, will premiere at the Prototype Festival in January at Baruch Performing Arts Center, New York City.

Hermitage Executive Director Bruce E. Rodgers remarked that “seeing the program come into being with the announcement of the first recipients was very exciting. We exist to inspire and assist artists in the creation of new work. AOP takes it to the next level so that the work can be presented to the public. We are now seeing the fruition of the first fellowship with the world premiere of The Echo Drift, and are eagerly looking forward to welcoming Joe and Jason.”

Charles Jarden, General Director of American Opera Projects, noted, “seeing how much the development of The Echo Drift benefited from the creators’ time at the Hermitage makes me eager to see what new ideas will be sparked when Joe and Jason find their way there this coming year. With so much faith in these two creative artists, AOP is now in the early stages of negotiation about where Legendary will be brought to its full production in an upcoming season.”

American Opera Projects’ Composers & the Voice is a two-year fellowship for composers and librettists which provides experience working collaboratively with singers on writing for the voice and opera stage. This free training includes a year of working with the company’s resident ensemble of singers and artistic team, followed by a year of continued promotion and development through AOP and its strategic partnerships. Launched in 2002, C&V has fostered the development of sixty-three composers & librettists. Alumni works that went through AOP’s opera development program and continued to a world premiere include Love/Hate (ODC/San Francisco Opera 2012, Jack Perla), Paul’s Case (UrbanArias 2013, Gregory Spears), and The Scarlet Ibis (Prototype 2015, Stefan Weisman). AOP’s C&V program is generously supported by a multi-year award from The Andrew W. Mellon Foundation.

 

ABOUT THE NEW FELLOWS

Joseph N. Rubinstein grew up in Newport News, VA and currently lives in New York City. Joseph’s music is often concerned with dramatic narrative and character, and has been presented by Fort Worth Opera Festival, The Manhattan School of Music Opera Theater, Triad: The Boston Choral Collective, American Opera Projects, The Holy Cross Chamber Singers, The Secret Opera, bass-baritone Matthew Burns at the Spoleto Festival USA, Boston Metro Opera, C4, the Society for New Music, and the Young New Yorker’s Chorus, among others. Recent performances include scenes from Legendary in a 2017 workshop by American Opera Projects, scenes from Legendary on Fort Worth Opera Festival’s 2016 “Frontiers” program, the premiere of “Birthday Song” on Sparks and Wiry Cries inaugural songSLAM, and a new choral work as part of Novi Cantori’s 2017 Composers Forum.  In 2016, he was a fellow in New Dramatists’ Composer-Librettist Studio.  Select works are published by See-A-Dot Music and recorded on 4Tay Records.  He studied music at Columbia University (BA) and The Juilliard School (MM).

Jason Kim is a Korean-born dramatist based in New York City. His immersive musical KPOP recently completed a critically acclaimed sold-out run at Ars Nova Theater. His play The Model American opened the Nikos Stage at the 2017 Williamstown Theatre Festival. His work has been presented at Ma-Yi, Keen Company, Naked Angels, The Flea, Kennedy Center for the Performing Arts, Washington National Opera, Fort Worth Opera, Manhattan School of Music, Spoleto Festival, Opera America, and others. He is an IFP—Marcie Bloom Fellow in Film, a Screenwriters Colony Fellow, a Paul & Daisy Soros Fellow for New Americans, and a Librettist Fellow in American Opera Project’s Composers & The Voice. He is a member of the Ma-Yi Writers Lab and Ars Nova’s Uncharted. He is currently LCT3’s Resident Writer. In television, he has written for HBO’s Girls and Fox’s Gracepoint and has adapted The Middlesteins for Showtime. He is also a Consulting Producer for Love on Netflix. BA Columbia University, MFA New School for Drama. www.waytooserious.com

About the Hermitage Artist Retreat

The Hermitage is a not-for-profit artist retreat located at 6660 Manasota Key Road in Englewood, FL.  It invites accomplished painters, sculptors, writers, playwrights, poets, composers and other artists from all over the world for residencies on its beachfront historic campus. Artists are asked to contribute two services to the community during their stay and as a result, Hermitage artists touch thousands of Gulf Coast community residents with unique and inspiring programs each year. In addition, the Hermitage awards and administers the prestigious Greenfield Prize, an annual $30,000 commission for a new work of art, rotating among three disciplines: visual art, music and drama. The Hermitage also partners with the Aspen Music Festival and School to award the annual Hermitage Prize to a composition student during the Festival. For more information about The Hermitage Artist Retreat, call 941-475-2098 or visit the website at www.HermitageArtistRetreat.org.

About American Opera Projects

At the forefront of the contemporary opera movement for a quarter-century, AOP creates, develops and presents opera and music theatre projects collaborating with young, rising and established artists in the field. AOP has been a producer on over 30 world premieres, including Kaminsky/Reed/Campbell’s As One (BAM 2014), Lera Auerbach’s The Blind (Lincoln Center Festival 2013), Davis/Pelsue’s Hagoromo (BAM 2015 Next Wave Festival), a dance opera starring Wendy Whelan and Jock Soto, and Paterson/Cote’s Three Way (Nashville Opera and BAM 2017).  www.aopopera.org

AOP Contact: Matt Gray, AOP Producing Director, 718-398-4024, mgray@operaprojects.org

Hermitage Contact: Lisa Rubinstein, lisa@LDRcreative.com or 941-587-3396

Press material is available at: http://aopopera.org/press

 

 

Advertisements

AOP’s Charles Jarden talks to The Washington Post about the art of opera development

October 21, 2013
AOP General Director Charles Jarden, with composer and Phoenix Concerts Artistic Director Gilda Lyons, introduces an AOP 25th anniversary concert, October 2013.

AOP General Director Charles Jarden, with composer and Phoenix Concerts Artistic Director Gilda Lyons, introduces an AOP 25th anniversary concert, October 2013.

“Developing new opera is an art in itself” states last week’s Washington Post article, and of course AOP couldn’t agree more! For her October 16 article, veteran classical music journalist Anne Midgette highlighted AOP’s role in creating a new American repertory and interviewed General Director Charles Jarden about the importance of the workshop process.

“Opera is complex enough to take on layers, like a snowball,” Jarden says, “and developing workshops, and showing workshops, and having capable press look at workshops, is a way to make everything better and grow the buzz.”

For 25 years AOP audiences have been able to participate in the workshopping process with the artists and will continue to do so in the next few months with previews of our opera-in-development Harriet Tubman: When I Crossed That Line to Freedom at Harlem’s Schomberg Center for Research in Black Culture on Dec. 9, among others. The results of our workshops can be seen and heard in the Washington area in November when UrbanArias presents two AOP-developed monodramas from composer Daniel Felsenfeld –  Nora, In the Great Outdoors (2011) and Alice in the Time of the Jabberwock.  “Nora” boasts an AOP-commissioned libretto by Will Eno and will be sung by dynamic soprano Emily Pulley.  The UrbanArias orchestra is led by Robert Wood and the stage director is Beth Greenberg (AOP’s Harriet Tubman). Also in the DC area, AOP-commissioned and developed Lost Childhood, (Hamer/Azrael) which was  staged at Tel Aviv’s International Vocal Arts Institute, will receive a non-staged orchestral concert including original AOP cast members Michael Hendrick and Chris Trakas, in their roles of Judah and Manfred, respectively, on November 9. COMPLETE ARTICLE: http://www.washingtonpost.com/entertainment/music/developing-new-operas-is-an-art-in-itself/2013/10/16/f7849c26-3687-11e3-8a0e-4e2cf80831fc_story.html

Applications now available for Composers & The Voice 2013-14

March 22, 2013

BROOKLYN’S AOP TO SELECT COMPOSERS, LIBRETTISTS FOR FREE TRAINING IN THE FUNDAMENTALS OF OPERA

APPLICATIONS NOW AVAILABLE FOR 7th SEASON OF
“COMPOSERS & THE VOICE” PROGRAM BEGINNING IN FALL 2013

BROOKLYN, NY – American Opera Projects (AOP) announces the return of its  Composers & the Voice program for its 2013-14 season. Created and led by Composers & the Voice Artistic Director Steven Osgood, six composers or composer/librettist teams will be selected for a year-long fellowship, working with the company’s Resident Ensemble of Singers and Artistic Team.  Applications and additional information can be found at AOP’s website www.operaprojects.org. The deadline for applications is May 17, 2013.  All sessions will be at AOP’s home base in Fort Greene, Brooklyn.

Composers & the Voice PictureThe primary focus of Composers & the Voice is to give composers and librettists experience working collaboratively with singers on writing for the voice and opera stage.  The workshop sessions between September 2013 and April 2014, include composition of solo works for six voice types (coloratura soprano, lyric soprano, mezzo-soprano, tenor, baritone and bass) and “Skill-Building Sessions” for composers and librettists in acting, improv games, and libretto development, providing an in-depth and firsthand knowledge of how singers build characters, act in scenes and sing text.

“I can think of no better forum for a composer with a passion for learning the traditions of so-called progressive American opera theater than AOP’s program,” said opera composer and guest C&V instructor Daron Hagen.

Previous seasons of Composers & the Voice have featured guest lectures from notable artists such as composer Mark Adamo (Little Women, Lysistrata) and librettist Mark Campbell (Silent Night, Later The Same Evening).  Past “Composer Chairs,” sponsorships named in honor of mentors and their support of Composers & the Voice, have included Mr. Adamo and composers John Corigliano, Tan Dun, Daron Hagen, John Musto, Richard Peaslee, Tobias Picker, Kaija Saariaho, Stephen Schwartz, and the late Lee Hoiby.

At the end of the program, AOP will present the results of the participants’ work in public performances – First Glimpse, a concert of songs in Spring 2014, and Six Scenes, an evening of short opera scenes in Fall 2014.  One of these operas-in-progress will be selected to receive a staged reading at Manhattan School of Music in Spring 2015. AOP has an eight-year relationship with Manhattan School of Music Opera Studies Program, in which students work alongside the composer and librettist and other professionals provided by AOP.

Since launching in 2002, C&V has fostered the development of 37 composers & librettists. Alumni works that went through AOP’s opera development program and continued to a world premiere include Love/Hate (ODC/San Francisco Opera 2012, Jack Perla), Paul’s Case (UrbanArias 2013, Gregory Spears), and the Off-Broadway and European tour of Darkling (2006-07, Stefan Weisman). Additional AOP-developed works from C&V alumni include Decoration (Mikael Karlsson), The Summer King (Daniel Sonenberg), The Golden Gate (Conrad Cummings), Dream President (Jennifer Griffith), Henry’s Wife (Randall Eng), and Semmelweis (Raymond J. Lustig). Visit www.operaprojects.org/composers_voice

Past AOP Composers & the Voice fellows have received grants and honors from the following organizations: Aaron Copland Fund for Music, ASCAP, BMI, the American Academy of Arts and Letters, the American Music Center, the American Composers Forum, OPERA America, the National Endowment for the Arts, Meet the Composer, the Argosy Foundation Contemporary Music Fund, the Fulbright Foundation, the Atlantic Center for the Arts, the Douglas Moore Fellowship, Tapestry New Opera Works, the Frederick Loewe Foundation, New Dramatists, and the Martha Baird Rockefeller Foundation.

During his tenure as Artistic Director of American Opera Projects (2001 to 2008), Steven Osgood created Composers & the Voice, and conducted the world premieres of Paula Kimper and Wende Persons’ Patience & Sarah at the Lincoln Center Festival, and Janice Hamer and Mary Azrael’s Lost Childhood at the International Vocal Arts Institute (Tel Aviv). He has also conducted premieres by Jonathan Sheffer (Blood on the Dining Room Floor), Tan Dun (Peony Pavilion), Xenakis (Oresteia), Missy Mazzoli (Song from the Uproar), Mohammed Fairouz (Sumeida’s Song), and Daron Hagen (Little Nemo in Slumberland). He has served on the Music Staff of the Metropolitan Opera since 2006.  Upcoming productions include Opera Memphis’ Midtown Opera Festival, Hawaii Opera Theater’s Tosca, and Chautauqua Opera’s Peter Grimes.

Composers & the Voice is made possible in part by a generous multi-year award from The Andrew W. Mellon Foundation.

DOWNLOAD 2013-14 COMPOSER APPLICATION

DOWNLOAD 2013-14 COMPOSER/LIBRETTIST TEAM APPLICATION

MORE INFO AND PRESS MATERIALS AVAILABLE AT:
www.operaprojects.org

March 20, 2013


%d bloggers like this: