AOP receives OPERA America Innovation Grant to expand training programs

June 6, 2017

AOP is proud to announce that it has been awarded an Innovation Grant to expand its composer-librettist training curriculum to academic music-theater programs, serving as a potential model for other schools and conservatories.

AOP’s training curriculum was pioneered with the creation of Composers & the Voice in 2002. Conceived by C&V’s current Artistic Director Steven Osgood, AOP’s in-house training program will enter its ninth season in Fall 2017. C&V brings together emerging opera composers and librettists and professional opera singers in private workshops to learn the craft of writing for the operatic voice and stage. The curriculum was adapted by C&V composer alum Randall Eng in partnership with AOP in 2015 to create the Advanced Opera Lab for students in the NYU/Tisch Graduate Musical Theater Program. The Innovation grant will continue this trajectory by supporting the codification of a curriculum for schools and conservatories that rarely provide opportunities for learning composition for the voice. In addition, the grant will support the creation of six new site-specific works on the theme of “New York Stories” that will emerge out of the partnerships between AOP and these institutions.

AOP was one of 27 opera companies around the nation to receive Innovation grant awards from the organization. Launched last fall, OPERA America’s Innovation Grants support exceptional projects that have the capacity to strengthen the field’s most important areas of practice, including artistic vitality, audience experience, organizational effectiveness and community connections. These grants invest up to $1.5 million annually in OPERA America’s Professional Company Members, enabling organizations of all sizes to increase their commitment to experimentation and innovation, as well as contribute to field-wide learning.

“Thanks to the tremendous generosity of the Ann and Gordon Getty Foundation, our member companies receive support to pursue new thinking and experimentation — to expand the boundaries of their current practices and adapt to an ever-changing field,” stated Marc A. Scorca, president and CEO of OPERA America in the press release. “These grants benefit not only the recipients but the entire art form: Through the lessons gleaned from the funded initiatives, companies throughout North America will be able to borrow and adapt good ideas, spreading the learning field-wide.”

NYU/AOP Opera Lab Cast, Creators, Designers, and Instructors at the May 14 performances of their opera scenes. International House, NYC. Photo by Steven Pisano.

NYU/AOP Opera Lab “Final Round”. International House, NYC. Photo by Steven Pisano.

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New Partnership to Give AOP Composers & Librettists Residency in Florida

June 8, 2015

FOR IMMEDIATE RELEASE: The Hermitage Artist Retreat in Englewood, FL and AOP have formed a partnership that will result in a six-week residency to be called Opera Genesis Fellowships. This newly created program allows for a composer and a librettist from AOP’s Composer & the Voice (C&V) training program to be invited to continue the development of a contemporary American opera at the Hermitage’s inspiring Gulf Coast campus. The first team will be selected in 2016.

“The Hermitage was created as a place for mid-career artists to come and work on new art,” explained Bruce E. Rodgers, executive director. “We have 10 acres of beachfront property on the Gulf of Mexico and serve four to five invited artists of all disciplines at any one time. It’s a quiet, peaceful and inspiring setting. Many new operas have already been written and composed here. We know this new partnership with AOP’s C&V program will produce more exciting work that will eventually be enjoyed in opera venues throughout the country.”

Bass-baritone Matthew Worth works with composer Andreia Pinto- Correia during a 2013 C&V workshop. Photo by Ted Gorodetzky

Bass-baritone Matthew Worth works with composer Andreia Pinto- Correia during a 2013 C&V workshop in Brooklyn, NY. Photo by Ted Gorodetzky

American Opera Projects’ Composers & the Voice is a two-year fellowship for composers and librettists that provides experience working collaboratively with singers on writing for the voice and opera stage. This free training includes a year of working with the company’s Resident Ensemble of Singers and Artistic Team, followed by a year of continued promotion and development through AOP and its strategic partnerships.

The Hermitage Artist Retreat (http://hermitageartistretreat.org) nurtures creativity in mid-career writers, painters, poets, playwrights, composers, translators, sculptors, and artists. Even before the partnership, the two organizations had many artists in common. Some of AOP’s artists who have been in residence at The Hermitage are Laura Kaminsky (As One), Mark Campbell (As One), Phil Kline (Out Cold), Lera Auerbach (The Blind), and Huang Ruo (Paradise Interrupted).

Our artists live and work in — and are inspired by — five "Old Florida" buildings that have been lovingly restored into living space and studio space. Fifteen miles of Gulf of Mexico beach .

The Hermitage Artist Retreat provides artists living and studio space in five “Old Florida” buildings along fifteen miles of Gulf of Mexico beach.

Since launching in 2002, C&V has fostered the development of 44 composers & librettists. Alumni works that went through AOP’s opera development program and continued to a world premiere include Love/Hate (ODC/San Francisco Opera 2012, Jack Perla), Paul’s Case (UrbanArias 2013, Gregory Spears), and The Scarlet Ibis (PROTOTYPE 2015, Stefan Weisman).

The cast of the 2013 World Premiere of Paul's Case presented by Urban Arias. The opera began development during composer Gregory Spears' fellowship in AOP's Composers & the Voice program.

The cast of the 2013 World Premiere of Paul’s Case presented by Urban Arias. The opera began development during composer Gregory Spears’ fellowship in AOP’s Composers & the Voice program.

“AOP and C&V Artistic Director Steven Osgood created the Composers & the Voice program with the vision of teaching to emerging composers & librettists the fundamentals of writing an opera,” stated AOP Producing Director Matt Gray. “We are thrilled that the partnership with The Hermitage Artists Retreat furthers that vision by providing a creative place for those artists to convert their knowledge into the operas themselves – operas that will become the core of a new, modern repertoire.”

PRESS CONTACTS:

Hermitage Contact: Lisa Rubinstein, lisa@LDRcreative.com or 941-373-3803

AOP Contact: Matt Gray, mgray@operaprojects.org or 718 398-4024


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