Art Opening for a New Opera

February 10, 2017
Thursday, February 9, 2017

Art Opening for a New Opera

Rebecca Allan, Orange Mesa/Medanales, 2016, acrylic on paper, 15 x 17 inches

Rebecca Allan, Orange Mesa/Medanales, 2016, acrylic on paper, 15 x 17 inches

Following a snow-bound day, a crowd of arts and opera enthusiasts gathered at Meredith Ward Fine Art at 44 East 74 Street for the opening of Rebecca Allan‘s solo show, Rain in the Arroyo. Sales of paintings will support Brooklyn’s American Opera Projects and San Francisco’s Opera Parallèle in launching Today It Rains, a new opera about artist Georgia O’Keeffe by the creative team Laura Kaminsky, Mark Campbell and Kimberly Reed that also created the most frequently performed contemporary opera in America in the past two years, As One. American Opera Projects is currently developing 28 new operas by contemporary composers. The exhibition continues through February 11.

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Three new operas developed by American Opera Projects to premiere in early 2017

January 18, 2017

American Opera Projects (AOP) in New York is currently developing twenty-one new operas with three to premiere in 2017 in multiple locations across the US:

THREE WAY – a sex comedy opera
Premieres January 27 – 29 @ Nashville Opera and June 15-18 @ Brooklyn Academy of Music.
Developed in AOP’s Composers & the Voice and First Chance programs
With music by Robert Paterson (The Whole Truth) and a libretto by David Cote (The Scarlet Ibis), Three Way is a new opera on the present and future of sex and love. In three playful one-acts, average heroes explore the worlds of android lovers, BDSM and multiple partners in their searches for the emotional connections that are ever-elusive in today’s romantic world. Sexy, funny and a little bit shocking, Three Way combines complex but melodic music with witty humor and personal drama creating an Il trittico for the Tinder generation. Nashville Opera and AOP will present the world premiere of Three Way January 27-29, 2017 at The Tennessee Performing Arts Center in Nashville, TN and June 15-18, 2017 at BAM Fisher in Brooklyn, NY in a production directed by John Hoomes and conducted by Dean Williamson. It will feature performances by singers Courtney Ruckman, Samuel Levine, Danielle Pastin, Jordan Rutter, Wes Mason, Melisa Bonetti, Matthew Treviño, and Eliza Bonet with the Nashville Opera Orchestra (January) and the American Modern Ensemble (June performances). Three Way is sung in English with projected English titles, and contains adult language and situations intended for mature audiences. Tickets for the January world premiere are on sale at www.nashvilleopera.org.

THE SUMMER KING – life of Negro League baseball star, Josh Gibson
Premieres April 29-May 7 @ Pittsburgh Opera
Developed in AOP’s Composers & the Voice and First Chance programs
The very first world premiere in Pittsburgh Opera’s distinguished 78-year history, The Summer King tells the story of baseball legend Josh Gibson who went from the sandlots of Pittsburgh’s North Side to the pinnacle of greatness in the Negro Leagues, before ultimately being enshrined in the National Baseball Hall of Fame in Cooperstown, NY. With music by Daniel Sonenberg and libretto by Daniel Sonenberg and Daniel Nester, and additional lyrics by Mark Campbell, Pittsburgh Opera will present the world premiere at Pittsburgh’s Benedum Center for the Performing Arts. Alfred Walker and Denyce Graves lead a cast directed by Sam Helfrich and conducted by Antony Walker. The Summer King was commissioned by Portland Ovations. For tickets and details see www.pittsburghopera.org/show/the-summer-king.

INDEPENDENCE EVE – 100 years of racial tension and relations in the US
Premieres June 3 – 11, Signature Theatre, Arlington, VA
Developed in AOP’s Composers & the Voice and First Chance programs
Washington D.C.’s UrbanArias and AOP present the world premiere of Independence Eve, a new chamber opera in three scenes by composer Sidney Marquez Boquiren and librettist Daniel Neer that explores the troubled journey of race relations in America. Comprised of three unrelated scenes, each of which take place on July 3 in an unspecified American city, Independence Eve focuses on the stories of three black males (each played by baritone Jorell Williams), and three white males (each played by tenor Brandon Snook), who struggle with identity and acceptance amidst race issues that span one hundred years of the American experience. Independence Eve is the fifth AOP-developed opera presented by UrbanArias following the world premieres of She, After, and Paul’s Case, last season’s As One, and this spring’s Lucy. UrbanArias Artistic Director Robert Wood conducts the world premiere that runs June 3-11, 2017 at Signature Theatre in Arlington, VA. Complete info can be found at www.urbanarias.org.

AS ONE – story of transgender self-discovery also presented across US: This spring will also feature new productions of the chamber opera As One at Pittsburgh Opera (Feb 18-26), Opera Colorado (March 2-4), and Long Beach Opera (May 13-21), making a total of nine new productions since AOP commissioned, developed and premiered the work at the Brooklyn Academy of Music in 2014. The opera for mezzo-soprano, baritone and string quartet by composer Laura Kaminsky, librettist Mark Campbell and librettist/ filmmaker Kimberly Reed, depicts the experiences of its sole transgender protagonist, Hannah, as she endeavors to resolve the discord between herself and the outside world.

ABOUT AMERICAN OPERA PROJECTS www.aopopera.org
Founded in 1988, American Opera Projects is at the forefront of the contemporary opera movement, commissioning, developing, presenting, and producing opera and music theatre projects, collaborating with young, rising, and established artists, and engaging audiences in unique and transformative theatrical experiences. AOP has produced over 30 world premieres, including the Nathan Davis/Brendan Pelsue dance chamber opera Hagoromo starring Wendy Whelan (BAM, 2015), Kaminsky/Reed/ Campbell’s As One (BAM, 2014), Nkeiru Okoye’s Harriet Tubman: When I Crossed That Line to Freedom (Irondale Center, 2014), and Lera Auerbach’s The Blind (co-production with Lincoln Center Festival, 2013) and the upcoming 2017 co-production with Nashville Opera of Robert Paterson’s Three Way (Nashville Opera, BAM Fisher). AOP develops new operas through two programs made possible by the Andrew W. Mellon Foundation and other generous donors that train emerging artists, and provide resources, workshop and production opportunities:

First Chance: First Chance allows composers and librettists to hear their work in part or in full for the first time before an audience, with live singers and accompaniment. Through question and answer sessions, First Chance allows audience members to provide input while artists discover their own unique voices. AOP then works on attracting presenting partners to produce a fully-staged world premiere including BAM, Lincoln Center Festival, and UrbanArias (in the DC metro area). www.aopopera.org/firstchance.html

Composers & the Voice: Created and led by Steven Osgood (General and Artistic Director of Chautauqua Opera and former Artistic Director of AOP), the Composers & the Voice fellowship training program provides composers and librettists experience working collaboratively with singers on writing for the voice and contemporary opera stage. AOP will begin its ninth season in Fall 2017, with applications made available on its website on March 15. Since launching in 2002, C&V has fostered the development of 54 composers & librettists. A complete list of alumni can be found at www.aopopera.org/composers_voice.

American Opera Projects
138 S. Oxford St. Ste. 3-D, Brooklyn, NY 11217 • 718.398.4024 • aoperaprojects.org


Pittsburgh Opera announces AOP operas ‘The Summer King’ and ‘As One’ for their 2016/17 season

February 26, 2016

THE SUMMER KING by Daniel Sonenberg • World Premiere: April 29, May 2, 5 & 7, 2017
AS ONE by Laura Kaminsky, Mark Campbell, and Kimberly Reed • Pennsylvania Premiere: February 18, 21, 24 & 26, 2017

Pittsburgh Opera has announced it will mount the staged World Premiere of The Summer King in April 2017, with a cast to include mezzo-soprano Denyce Graves and previous AOP artists Kenneth Kellogg and Jasmine Muhammad, direction by Sam Helfrich, and with Pittsburgh Opera Music Director Antony Walker conducting. In addition, AOP’s critically-acclaimed chamber opera As One will make its Pennsylvania debut as part of Pittsburgh Opera’s 2016-17 season.

The Summer King, has been developed with AOP since composer Daniel Sonenberg participated in the first iteration of AOP’s training fellowship program Composers and the Voice in 2003. It was followed by AOP First Chance workshop performances in Brooklyn, at the Manhattan School of Music, and at the University of Southern Maine (USM), where Dan is currently Associate Professor and Resident Composer. The opera received its world premiere in concert form in Portland, Maine in May 2014, in a production sponsored by Portland Ovations, USM and American Opera Projects.

Pittsburgh Opera writes “The very first world premiere in [our] distinguished 78 year history hits close to home. The Summer King tells the story of baseball legend Josh Gibson story. Josh went from the sandlots of Pittsburgh’s North Side to the pinnacle of greatness in the Negro Leagues, before ultimately being enshrined in the National Baseball Hall of Fame in Cooperstown, NY.” The opera skillfully portrays the complex inner conflict Gibson faced when the free-living, home-run king was asked to risk his respect to be an activist for integration. Tragically, Gibson died just months before Jackie Robinson broke the color barrier.

“Watching an opera grow from an idea in a Composers & the Voice session to a fully staged World Premiere at a house like Pittsburgh is a heart-warming experience for AOP,” said AOP Producing Director. “We are thrilled we could be there every step of the way. We knew from the beginning that this was a very special story, one truly worthy of operatic treatment. We performed scenes on the sidewalks of Brooklyn and crowds couldn’t help but be drawn in. We know that this story can reach new audiences that would never think opera tells stories relevant to their lives. And we know Pittsburgh Opera feels the same.”

"The Summer King"

The Summer King was commissioned by Portland Ovations, with development by American Opera Projects, and deeply appreciated continuing support for the Pittsburgh Opera world premiere from the Andrew W. Mellon Foundation. The Summer King has received major support from American Opera Projects, the National Endowment for the Arts, Bob Crewe Foundation, Maine Arts Commission and University of Southern Maine. The Summer King received its first public presentation as a concert performance on May 8, 2014 at Merrill Auditorium, Portland, Maine under the auspices of Portland Ovations in collaboration with the University of Southern Maine.

RELATED READING: “In its 78th season, a world premiere for Pittsburgh Opera” – Pittsburgh Post-Gazette

SK video still 2

AS ONE

AOP’s As One continues to sweep the country following performances in San Francisco, Washington DC, Utah, and the AOP World Premiere in Brooklyn. Pittsburgh Opera will present the critically acclaimed opera by composer Laura Kaminsky and co-librettists Mark Campbell and Kimberly Reed as part of its Second Stage series in February 2017 and will star Pittsburgh Opera’s Resident Artists. In As One, a mezzo-soprano and a baritone depict the experiences of its sole transgender protagonist, Hannah, as she endeavors to resolve the discord between herself and the outside world.

AS ONE photo 3 by Ken Howard for AOP

Commissioned and developed by American Opera Projects, As One received generous funding in its creation from OPERA America’s Opera Discovery Grants for Female Composers Program, supported by the Virginia B. Toulmin Foundation, the New York State Council on the Arts with the support of Governor Andrew Cuomo, the New York State Legislature and the National Endowment for the Arts (NEA) Art Works, Dr. Coco Lazaroff, Lynn Loacker and Judith O. Rubin.

As One will also be presented by Opera Colorado in the 2016-17 season and will be featured in Montreal at OPERA America’s annual opera conference as part of its New Works Forum in May 2016.


“Mesmerizing”, “marvelous” Paradise Interrupted premieres at Spoleto Festival

June 1, 2015

The AOP-developed opera Paradise Interrupted received favorable press when it premiered at the Spoleto Festival USA in Charleston, SC this past  week.  Drawing inspiration from the legend of Adam and Eve, as well as the Chinese story of The Peony Pavilion, Paradise Interrupted combines strong visual and aural effects, to tell the moving story of a woman’s journey towards self-realization.  Combining composer Huang Ruo (Dr. Sun Yat-sen), visual artist Jennifer Wen Ma (opening and closing ceremonies of Olympics Beijing 2008), and singer Qian Yi (Peony Pavilion), this riveting production has critics raving about a new genre of opera: installation opera.

Paradise Interrupted picture

Adam Parker of the Charleston Post and Courier praised the production, calling it “an original work that beautifully blends Eastern and Western styles and presents five fine singers with remarkable stamina and expression.” He also states: “had there been no music at all, just the staging, this would have been a marvelous, immersive experience. But there was music, fascinating music, lyrical, often rhythmic music.”

At the Spoleto Journal, Jerry Bowles, raved about Jennifer Wen Ma’s stunning visual effects: “Set against an ever changing backdrop of abstract digital images that reflect the singer’s mood shifts, the garden that greets the audience of Paradise Interrupted is an assemblage of laser-cut paper painted with black ink that is unfolded, accordian-like, and closed up again by the performers throughout the drama. The effect is that the garden appears to move in response to the singers’ voices.”

Heidi Waleson of the Wall Street Journal says that” composer Huang Ruo and the artist Jennifer Wen Ma “have gloriously fused Western and Chinese idioms, modernity and tradition, to create a mesmerizing new work that is part opera, part dynamic art installation.”  She also compliments that”Mr. Huang’s music for The Woman takes off from the melismatic, pitch-bending, slightly nasal kunqu vocal style, and makes it even more haunting and melodic.”

At Charleston City Paper, Elizabeth Pandolfi raves that it “…is a courageous, unique, and complicated piece of theater.”  She also goes on to compliment the opera’s success in blending traditional Chinese singing and stories with Western musical elements: “The orchestra, consisting of both Western and Chinese instruments, was exceptional, and together Qian and the four male singers — she sang in the Chinese operatic style, and the men in the Western style — created a surreal, otherworldly sound that completely embodied the dream-like world the Woman was wandering through”

Read the Q&A with singer Qian Yi.

Read the profile on the complex technical design of Paradise Interrupted.

 


Monodrama LUCY: A MEMORY OPERA examines thin line between man and ape in Milwaukee World Premiere

October 9, 2014

After exciting collaborations with choreographers Dylan Crossman and Amber Sloan in Montreal and NYC earlier this fall, composer John Glover, librettist Kelley Rourke and director Erik Pearson will receive the world premiere of, Lucy: A Memory Opera  in November. Workshopped in 2010 by AOP at WNYC’s Greene Space, Lucy will receive it’s world premiere November 7-9, 2014, in Milwaukee, WI in a production by Milwaukee Opera Theater, who commissioned the work.

Inspired by true events, Lucy tells the story of psychologist Maurice Temerlin who, along with his wife Jane, adopted a day-old chimpanzee in the sixties. Naming her Lucy, their intention was to raise her “as much as possible as though she were a human being”. Lucy learned to dress herself, eat with silverware, make tea for guests, look at magazines, communicate through sign language and enjoy cocktails. As Temerlin struggles to hold on to memories of a happy, albeit unconventional, family life, documentation from the experiment challenges him to come to terms with the project’s ultimate consequences.

Unfolding in one 70-minute act, this intimate and confrontational one-man show is written for baritone Andrew Wilkowske, REDSHIFT Ensemble and pianist/music director Chris Zemliauskas. With a libretto from Kelley Rourke and projection designs and direction by Erik Pearson, Lucy promises to be a unique operatic experience.

Tickets to the Milwaukee world premiere are only $28 and may be purchased here.

Watch excerpts from the workshop performance at WNYC’s Greene Space, presented by American Opera Projects below:

Or watch an additional excerpt here

 


Baseball Opera “The Summer King” Scores NEA Grant

December 19, 2013

The National Endowment for the Arts (NEA) has announced that the University of Southern Maine has received an NEA Art Works grant for its upcoming May 2014 premiere of the baseball opera The Summer King, created by former C&V composer Daniel Sonenberg and developed by AOP.

"Broadway" Connie Rector (Franklin Westbrooks) looks in amazement at Josh Gibson's (Kenneth Overton) homer out of Yankee Stadium in an early AOP workshop of THE SUMMER KING.

“Broadway” Connie Rector (Franklin Westbrooks) looks in amazement at Josh Gibson’s (Kenneth Overton) homer out of Yankee Stadium in an early AOP workshop of THE SUMMER KING.

The Summer King follows the life and untimely death of “the Black Babe Ruth”, Negro League home run king Josh Gibson, in this new opera from composer/librettist Daniel Sonenberg and co-librettist Daniel Nestor. AOP will present a rare insight into the evolution of an opera with a full day of libretto readings, musical workshops, and an evening concert of scenes at OPERA America New Works Forum on January 15, 2014. 

From USM Newsletters:

Sonenberg, a University of Southern Maine (USM) associate professor of music at USM’s School of Music, has been notified that he is the recipient of a $15,000 National Endowment for the Arts grant in opera. His opera, titled “The Summer King,” will be performed in concert on May 8, 2014, at the Merrill Auditorium in Portland, Maine, in collaboration with Portland Ovations.

Scenes and excerpts from “The Summer King” already have been performed at Fort Worth Opera, the Brooklyn Conservatory of Music, the Manhattan School of Music and USM to excellent reviews.

In January 2014, the Opera America New Works Forum in New York City, in collaboration with the Brooklyn-based company American Opera Projects, will present a preview of “The Summer King” in a daylong series of events, including a libretto reading by actors, a piano-vocal performance of three scenes and then an orchestral performance of the same three scenes. Each of these events will be followed by discussion with the audience, which will consist of opera professionals from throughout the country….

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Read full article at the website of University of Southern Maine


Heart of Darkness Nominated for SBSA Award

April 5, 2012

Heart of Darkness world premiere logo

The World Premiere of Tarik O’Regan’s one-act opera Heart of Darkness (with libretto by Tom Phillips, based on the novella by Joseph Conrad) was nominated for a South Bank Sky Arts Award* this past week, “one of the world’s most coveted arts awards…celebrating the best of British culture and achievement.”  The ceremony will be held at The Dorchester (London) on May 1, 2012, hosted by English broadcaster and author Melvyn Bragg.

Heart of Darkness was first developed by AOP from 2006-08, before beginning preparations for its World Premiere at the Royal Opera House’s Linbury Studio Theatre in November 2011, co-produced by Opera East and the Royal Opera House.

For additional information, read the press articles from Chester Novello, Genesis Foundation, and The Bookseller.

*(Can’t find it on the nominee list?  Scroll down to the “Literature” heading and look at the last line; the “Opera” heading was accidentally listed in the middle.)


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